Cirque Du Soleil Back In The UK

Cirque Du SoleilCirque du Soleil, the multi-faceted performance extraordinaire, has revealed its tour dates for 2013, beginning in July at the London 02. Running from 18 July to 10 November, the tour will visit cities and venues such as London’s Wembley Arena, Newcastle upon Tyne’s Metro Radio Arena, Leeds Arena, Liverpool Echo Arena and the Capital FM Arena Nottingham. This is aside from the international leg for Cirque, heading out to Palma de Mallorca, Spain, for the August part of the tour, and then to France and Spain from mid-November until Christmas.

The creativity and sheer talent of the Cirque performances entices audiences in their droves to marvel at the artistry, daredevil stunts and fantastic grace. The performers hold an array of awe-inspiring skills: their dexterity in their courageous on-stage activities show extreme agility and exceptional skill, the complexity yet grace of their acrobatic performances lies in the finesse and fluidity of the execution of the movements, defying the laws of gravity, their risk-taking creative approach, the intrinsic nature of dance in the anatomical and physical art forms; it seems it is built into their DNA.

Cirque du Soleil has done and continues to produce and perform phenomenal shows, display dazzling costumes, unbelievable skill sets, and entertainment for everyone. Some of the 19 shows currently in production include those dedicated to Michael Jackson and The Beatles, and others with enticing names such as La Nouba (resident show at Walt Disney World Resort, Florida), Kooza (currently touring Spain, Belgium, Russia and France), Ka (resident show at the MGM Grand, Las Vegas), Dralion (touring Venezuela, Panama, Guatemala, France, Lebanon, Italy, Spain, Switzerland and Portugal) and Alegria (touring Russia, Ukraine, the UK, Poland, Spain, Romania, Slovakia, Bulgaria, Belarus and France), each with their own concepts, aims and unique spectacles.

Catch them if you can!

BalletBoyz – The Dancer’s Course

BalletBoyzBecoming one of the BalletBoyz is arguably every young dancer’s dream. With their slick performances, immeasurable talent and famous good looks, it is no wonder that the group lead by Trevor Nunn and William Trevitt is going from strength to strength, and may have the answer to these young dancers’ wishes.

Following their hugely successful project ‘The Talent’, BalletBoyz are launching The Dancer’s Course, which will start in September 2013. As an innovative one year weekend course, the Boyz are searching for men and women over the age of 18 to join the professional dance company in order to develop their versatility, contemporary dance skills and technique within their nurturing environment. Developing talent and grasping opportunities form the majority of yearning to be a professional dancer (the other part being a little luck!), so this BalletBoyz course seems the perfect chance to engage with an experiential approach to training, whatever your dance background.

The course will centre on working closely with ‘The Talent’ to develop the young dancers as artists and providing them with opportunities to perform and choreograph throughout the course. With the aim of the course to take individuals with raw talent and turn them into creative and employable dancers, it seems the course is every young dancer’s dream. Working alongside the BalletBoyz, the dancers will come to represent the BalletBoyz ethos of excellence, and a desire to perform at the highest level.

The dancers will also have the chance to gain firsthand experience of the technical aspects of performance, such as film, music, costume and lighting, in addition to working closely alongside ‘The Talent’ in order to be coached, mentored, challenged and inspired by some of the leading teachers and choreographers in the dance world today.

Kids Week is back for 2013

Kids Week 2013Kids Week, organised by the company behind Official London Theatre, Society of London Theatre, is now in its 16th year and aims to encourage families to experience the magic of theatre and welcome children through the West End’s doors. For 2013, the Kids Week team has announced a huge 34 top London shows as part of the line-up, offering free tickets to children aged 16 and under with every adult ticket purchased.

As well as receiving a free child’s ticket with every adult ticket purchased for a Kids Week show, Kids Week bookers are also able to book a further two children’s tickets for half price, as well as engage with numerous workshops and activities also offered. Family favourites and exciting new shows are amongst those offered for further events, so this year kids can don their tap shoes, high kick into the theatre and wave their jazz hands in the jam-packed range. Kids will have the opportunity to perhaps try ballet, learn classic pop songs, tap their troubles away and lots more!

2012 was a record-breaking year for Kids Week, so following on from this success, the annual campaign to encourage more people to embrace Theatreland will run for the whole of the month of August, full of performances, free activities and workshops for children and their families, giving adults the chance to shimmy-shake and all that jazz!

With something for everyone, shows on offer this year include seven-time Olivier Award winner The Curious Incident Of The Dog In The Night-Time, The 39 Steps, One Man, Two Guvnors, War Horse, The Woman In Black, the classic whodunit The Mousetrap, Billy Elliot The Musical, The Bodyguard, A Chorus Line, Dirty Dancing – The Classic Story On Stage, Disney’s The Lion King, Let It Be, Mamma Mia!, Matilda The Musical, Les Misérables, Monty Python’s Spamalot, Jersey Boys, The Phantom Of The Opera, The Sound Of Music, Thriller Live, Top Hat, West Side Story, We Will Rock You and Wicked.

The Big Dance Pledge

Big Dance 2013Artistic Director of English National Ballet Tamara Rojo has begun leading the Big Dance Pledge, an initiative to be performed by thousands of people all over the world on the weekend of 17-19 May. She was joined by her dancers from ENB and young dancers from Chingford Foundation School, London, to raise awareness of this fantastic project which they hope will go global.

Organised by Big Dance, the world’s largest biennial festival of dance and with the support of the British Council, the Big Dance Pledge has been taught, learnt and will be performed by over 32,000 people this weekend in hundreds of places around the world including India, Lebanon and Brazil. The Pledge has been specially choreographed by English National Ballet’s Creative Learning department (specifically by artists Laura Harvey (Creative Associate) and Jenna Lee (Soloist) and is a 3-minute dance routine that anyone can do – regardless of age or experience.

ENB hopes to inspire as many people as possible to take part and embrace the art of dance as a chance to learn something new and engage in a community experience after the fantastic success of Big Dance 2012. Last year the cause reached millions of people all over the country through the Big Dance Festival, which will take place again in 2014. The Pledge therefore aims to continue this success and remind everyone of the power of Big Dance to enfold communities in performing arts.

The Big Dance Pledge ultimately strives to build on the legacy left by last year’s Olympic and Paralympic Games in involving all in a worthy and motivating cause, inspiring and encouraging people to make dance a bigger and more enriching part of their lives. With Tamara as one at the helm, who is an International Ambassador for Big Dance, it seems that Big Dance will continue as the ultimate dance experience in bringing dance to as many as possible in unexpected ways.

The Pledge is available to learn now and will be performed during the Pledge Performance Weekend (17-19 May). Watch the video below for more information.

The Olivier Awards 2013

2013 Olivier Awards

The Olivier Awards, organised by the Society of London Theatre, were presented at the Royal Opera House on Sunday in the celebration of talent that graces our theatrical stages.

For dance there was a wealth of wondrous watching in the performances which won nominations in different categories –

Best New Dance Production:

The Royal Ballet’s Aeternum was nominated, featuring Principal Marianela Nunez, who was also nominated for Outstanding Achievement in Dance. Also in this category was Scottish Ballet’s A Streetcar Named Desire, which picked up the National Dance Award for Best Classical Choreography earlier this year, and NDT2’s Cacti.

Outstanding Achievement in Dance:

ILL-Abilities Company, who will be performing as part of Breakin’ Convention’s 10th anniversary, Lez Brotherston for the set and costumes for New Adventures’ Sleeping Beauty, and Marianela Nunez for varied and fantastic performances in Aeternum, Diana & Actaeon and Viscera of The Royal Ballet were all nominated in this category. Earlier this year Nunez was also awarded the National Dance Award for Best Female Dancer.

Best Theatre Choreographer:

Bill Deamer for Top Hat, first-time Olivier Award nominee Scott Ambler for Chariots of Fire in his reinvention of the Olympic-inspired running scenes, double Olivier Award-winning Stephen Mear for Kiss Me, Kate, and Scott Graham and Steven Hoggett for The Curious Incident Of The Dog In The Night-Time, as part of Frantic Assembly, were all nominated for this category.

The nominees for Best Musical Revival were A Chorus Line, Cabaret, Kiss Me, Kate and Sweeney Todd, and the nominees for the BBC Radio 2 Audience Award nominees were Billy Elliot, Matilda, Phantom of the Opera and Wicked.

Following the nominations, the glittering event and red carpet saw the many winners acknowledged in their contribution to great theatre, with a few included below.

Best Actress: Helen Mirren for The Audience

Best Actor: Luke Treadaway for The Curious Incident Of The Dog In The Night-Time

BBC Radio 2 Audience Award: Billy Elliot

Best Musical Revival: Sweeney Todd

Best Actress in a Musical: Imelda Staunton for Sweeney Todd

Best Actor in a Musical: Michael Ball for Sweeney Todd

Best New Musical: Top Hat

Autograph Sound Award for Best Theatre Choreographer: Bill Deamer for Top Hat

Best New Dance Production: Aeternum by The Royal Ballet, choreographed by Christopher Wheeldon

Outstanding Achievement in Dance: Marianela Nunez for Aeternum, Diana & Actaeon and Viscera by The Royal Ballet

Best Entertainment and Family: Goodnight Mister Tom

Special Awards: Michael Frayn and Gillian Lynne

The Royal Ballet 2013/14 Season

The Royal Ballet

Artistic Director Kevin O’Hare’s second season at The Royal Ballet has seen the announcement of the programming of The Royal Ballet’s 2013/14 season. In view of the artistic decisions, the company is leveraging its current strong box office position to focus on new, full-length works which will make up six world premieres, and this will also protect the company’s heritage.

Guest Principal Carlos Acosta is currently working on his new production of Don Quixote: Acosta has danced the lead role in many countries and has vast experience and knowledge of the role and narrative. Acosta’s production of Don Quixote will be the company’s own production for the very first time, and O’Hare’s decision to open the new season with this is hoped to be a successful one.

Artistic Associate Christopher Wheeldon will premiere his second full length work for the company based on Shakespeare’s A Winter’s Tale, with Wheeldon collaborating with the team responsible for Alice’s Adventures in Wonderland. O’Hare has also extended another invitation to former Royal Ballet School student and Birmingham Royal Ballet dancer David Dawson, who will create a new work as part of the first triple bill of the season, alongside Wayne McGregor’s Chroma and Kenneth MacMillan’s Rite of Spring to complete the bill. Artist in Residence Liam Scarlett’s Sweet Violets will return in a triple bill alongside Wheeldon’s DGV : Dance a Grande Vitesse and George Balanchine’s Serenade but Scarlett has no new work programmed for the season.

The final triple bill of the season will see a new work by Alastair Marriott, following his success in the Titian collaboration. Frederick Ashton’s The Dream and Jerome Robbins’ The Concert, which has not been seen at the Royal Opera House for 10 years, will then complete the programme. Full works will intersperse the triple bills, with Kenneth MacMillan’s Romeo and Juliet, Peter Wright’s Giselle and Monica Mason and Christopher Newton’s The Sleeping Beauty each making an appearance.

Once the London season has closed after The Nutcracker and Balanchine’s Jewels at Christmas, the company will tour to Moscow making a temporary home in The Bolshoi Theatre.

The 2013 Olivier Awards

The Olivier Awards 2013

Esteemed dancer, choreographer and now Vice-President of the Royal Academy of Dance Gillian Lynne is set to receive Special Awards at this year’s Society of London Theatre Olivier Awards in recognition of her immense contribution to theatre and the arts.

Gillian Lynne began her career as a ballet dancer before earning an international reputation for her innovative choreography and stage work throughout the performing arts industry, including choreographing Cats and The Phantom of the OperaCats the musical is set for revival later in 2013, and it looks as though Gillian Lynne’s achievements are not over yet, with many more years of creativity ahead. Beginning as a Royal Ballet dancer under Dame Ninette de Valois, Gillian Lynne has been a constant stream of creation throughout the arts.

As a result the Society of London Theatre’s Olivier Awards has recognised the prolific work of Gillian Lynne, continuing to have a vital and lasting influence on the theatre and dance stages of the performing arts industry. It is therefore only fitting that this ambassador of British Theatre be recognised with the Special Award at this year’s ceremony.

This year’s Olivier Awards, nominations for which were announced on 26 March 2013, take place at the Royal Opera House on Sunday 28 April, hosted by Hugh Bonneville and Sheridan Smith. The ceremony will be live on BBC Radio 2 from 6.30pm with a highlights package broadcast on ITV later in the evening. Some of the nominations are listed below.

Best Actor

  • Rupert Everett – The Judas Kiss
  • James McAvoy – Macbeth
  • Mark Rylance – Twelfth Night
  • Rafe Spall – Constellations
  • Luke Treadaway – The Curious Incident Of The Dog In The Night-Time

Best Actress

  • Helen Mirren – The Audience
  • Hattie Morahan – A Doll’s House
  • Billie Piper – The Effect
  • Kristin Scott Thomas – Old Times

Best Actor in a Supporting Role

  • Paul Chahidi – Twelfth Night
  • Richard McCabe – The Audience
  • Adrian Scarborough – Hedda Gabler
  • Kyle Soller – Long Day’s Journey Into Night

Best Actress in a Supporting Role

  • Janie Dee – NSFW
  • Anastasia Hille – The Effect
  • Cush Jumbo – Julius Caesar (Donmar Warehouse)
  • Helen McCrory – The Last Of The Haussmans
  • Nicola Walker – The Curious Incident Of The Dog In The Night-Time

MasterCard Best New Play

  • Constellations
  • The Audience
  • The Curious Incident Of The Dog In The Night-Time
  • This House

Best Actor in a Musical

  • Michael Ball – Sweeney Todd
  • Alex Bourne – Kiss Me, Kate
  • Tom Chambers – Top Hat
  • Will Young – Cabaret

Best Actress in a Musical

  • Heather Headley – The Bodyguard
  • Imelda Staunton – Sweeney Todd
  • Summer Strallen – Top Hat
  • Hannah Waddingham – Kiss Me, Kate

Best Performance in a Supporting Role in a Musical

  • Adam Garcia – Kiss Me, Kate
  • Debbie Kurup – The Bodyguard
  • Siân Phillips – Cabaret
  • Leigh Zimmerman – A Chorus Line

Best New Musical

  • Loserville
  • Soul Sister
  • The Bodyguard
  • Top Hat

Best Revival

  • Long Day’s Journey Into Night
  • Macbeth
  • Old Times
  • Twelfth Night

Best Musical Revival

  • A Chorus Line
  • Cabaret
  • Kiss Me, Kate
  • Sweeney Todd

Best Entertainment and Family 

  • Cinderella (St James theatre)
  • Goodnight Mister Tom
  • Hansel And Gretel
  • Room On The Broom

Best New Dance Production

  • Aeternum by the Royal Ballet at the Royal Opera House, choreographed by Christopher Wheeldon
  • Cacti by Nederlands Dans Theatre 2 at Sadler’s Wells, choreographed by Alexander Ekman
  • A Streetcar Named Desire by Scottish Ballet at Sadler’s Wells

Outstanding Achievement in Dance

  • Lez Brotherston for the set and costumes for Matthew Bourne’s Sleeping Beauty, New Adventures at Sadler’s Wells
  • ILL-Abilities company in Breakin’ Convention at Sadler’s Wells
  • Marianela Nunez for Aeternum, Diana & Actaeon and Viscera, The Royal Ballet at the Royal Opera House

Best Theatre Choreographer

  • Scott Ambler – Chariots Of Fire
  • Bill Deamer – Top Hat
  • Scott Graham & Steven Hoggett – The Curious Incident Of The Dog In The Night-Time
  • Stephen Mear – Kiss Me, Kate

BBC Radio 2 Audience Award

  • Billy Elliot The Musical
  • Matilda The Musical
  • The Phantom Of The Opera
  • Wicked

Special Award

  • Gillian Lynne
  • Michael Frayn

Female Choreographers’ Collective: ‘The Experiment’

Female Choreographers' Collective - "The Experiment"The Female Choreographers’ Collective, founded in October 2012 with the aim of promoting female choreographers in the UK, will launch a two-part forum titled ‘The Experiment’ to be held at Trinity Laban Conservatoire of Music and Dance starting Tuesday 23 April.

The founders, Jane Coulston and Holly Noble, will be asking audience members to watch six pieces of dance work by three male and three female choreographers but without the knowledge of who has created each piece. The audience will then be asked to fill out questionnaires anonymously and the research will be presented at a second event later in the year in order to question the existence of a gender divide in dance.

The founders are committed to building and developing valuable and lasting relationships with male and female counterparts within the industry. Through collaboration, discussion, open dialogue and honesty, they aim to bring all choreographers to a level playing field, regardless of gender.

The research project to take place at Laban theatre aims to strip away perceptions about choreography in dance, with the audience asked to consider the following:

– Are you more inclined to watch male- or female-choreographed work?

– Is there a preference when it comes to male/female choreography?

– Does topic or subject of work matter?

– Does prior knowledge of the choreographer influence decision?

– Does publicity/advertising attract you or discourage you?

– Do you always watch a particular genre of dance?

– What most attracts you to seeing new work?

– Are reviews an important part of decision-making?

– What puts you off going to watch performances?

The information collated throughout the event will be distributed before an all-day seminar later in the year, also at the Laban theatre, with guest speakers, a panel discussion and breakout sessions.

Image courtesy of Trinity Laban.

Upcoming Dance UK events

Dance UKDance UK, the national voice for dance founded in 1982 to tackle the big issues facing the dance sector, has organised an array of events suitable for budding dancers, students, choreographers and teachers.

‘Fundraising for Artistic Projects’ is a seminar for dance managers and self-managed artists as part of the Business of Dance training programme on 5 April 2013. The session will provide practical knowledge and information for self-managed dance artists, company dancers looking to develop their own work, and independent dance managers who want to develop their skills. Focused on will be the types of funding available, identifying local funds open to artists, an overview of Arts Council England Grants for the Arts funding and top tips on how to write successful funding applications.

The ‘National Choreographers’ Conference’, in previous years known as Choreoforum, will be held on 11 May on behalf of the Choreographers Professional Network. The National Choreographers’ Conference is the only open national event for choreographers, whether it’s film, commercial, contemporary, West End, opera, youth choreography or choreographic teaching. A committee of diverse choreographers steer the conference content by requesting speakers, offering a forum to share artistic debate, concerns and to network with fellow choreographers in a non-competitive environment, to share expertise and information. The conference will also include sessions for individual, agencies and training/higher education institutions that are involved in Choreographic Talent Development.

‘Nutrition and Touring’, on 8 April, is a new seminar aimed at company managers, artistic directors, rehearsal directors, touring dancers and dance science students and practitioners. It will feature the most up-to-date research and advice in healthy touring and nutrition for dancers. Speakers will include Mhairi Keil, Performance Nutritionist and Consultant with the English Institute of Sport, Jess Sayers, Company Manager, Wayne McGregor | Random Dance and Erin Sanchez, Healthier Dancer Programme manager, Dance UK in order to share knowledge and enable the attendees to learn from fellow dance professionals working in dance touring who strive to create healthy working environments in dance companies and theatres.

Easter Courses For Young Dance Students

Easter 2013 Dance Courses

Despite many dance schools taking breaks for the Easter holidays, eager dance students still have the chance to dance their way through the holidays. There are a wide variety of courses to suit every dance taste, such as hip hop, musical theatre and ballet, enabling students to build on existing skills, and even gain an idea as to further training in dance which they may like to undertake in the future.

ZooNation Easter Academy are inviting beginner and intermediate level dancers to learn from ZooNation company members, covering a wide range of hip hop and street dance styles including Locking, Popping, Breaking, House and Waacking. Students will also be able to learn some original choreography from the hit West End show Some Like It Hip Hop.

The Place Youth Dynamics course can see students work with the renowned national touring company Tavaziva Dance, allowing young dancers to develop their contemporary technique and learn some of the company’s repertory.

The Royal Academy of Dance are holding a Boys’ Day of Dance for male students aged 7 – 16, enabling them to experience four different dance styles: Ballet, Street Dance, Contemporary and Capoeira. The classes held will be taught by professional male teachers and performers, helping to inspire young males in introducing them to dance.

Laine Theatre Arts’ International Easter course will incorporate Jazz, Musical Theatre and Drama workshops, building up a range of skills for students perhaps interested in auditioning for the vocational training course offered at Laine Theatre Arts in Musical Theatre and Dance.

All courses offered by a whole host of dance companies, examination boards and training institutions are fantastic opportunities to inspire new talents and develop existing skills of dance students who are eager to further their training and improve their skills.