The Royal Ballet 2013/14 Season

The Royal Ballet

Artistic Director Kevin O’Hare’s second season at The Royal Ballet has seen the announcement of the programming of The Royal Ballet’s 2013/14 season. In view of the artistic decisions, the company is leveraging its current strong box office position to focus on new, full-length works which will make up six world premieres, and this will also protect the company’s heritage.

Guest Principal Carlos Acosta is currently working on his new production of Don Quixote: Acosta has danced the lead role in many countries and has vast experience and knowledge of the role and narrative. Acosta’s production of Don Quixote will be the company’s own production for the very first time, and O’Hare’s decision to open the new season with this is hoped to be a successful one.

Artistic Associate Christopher Wheeldon will premiere his second full length work for the company based on Shakespeare’s A Winter’s Tale, with Wheeldon collaborating with the team responsible for Alice’s Adventures in Wonderland. O’Hare has also extended another invitation to former Royal Ballet School student and Birmingham Royal Ballet dancer David Dawson, who will create a new work as part of the first triple bill of the season, alongside Wayne McGregor’s Chroma and Kenneth MacMillan’s Rite of Spring to complete the bill. Artist in Residence Liam Scarlett’s Sweet Violets will return in a triple bill alongside Wheeldon’s DGV : Dance a Grande Vitesse and George Balanchine’s Serenade but Scarlett has no new work programmed for the season.

The final triple bill of the season will see a new work by Alastair Marriott, following his success in the Titian collaboration. Frederick Ashton’s The Dream and Jerome Robbins’ The Concert, which has not been seen at the Royal Opera House for 10 years, will then complete the programme. Full works will intersperse the triple bills, with Kenneth MacMillan’s Romeo and Juliet, Peter Wright’s Giselle and Monica Mason and Christopher Newton’s The Sleeping Beauty each making an appearance.

Once the London season has closed after The Nutcracker and Balanchine’s Jewels at Christmas, the company will tour to Moscow making a temporary home in The Bolshoi Theatre.

The Anniversary of George Balanchine

George BalanchineJanuary 22 2013 marked the birthday of Giorgi Melitonovitch Balachivadze, otherwise known to ballet and dance fans all over the world as George Balanchine, born in 1904 in St. Petersburg, Russia. Balanchine, as the co-founder of the New York City Ballet and one of the greatest choreographers of modern ballet, created the aesthetic we can recognise in theatres today, with costumes of often just leotards, tights and shoes. Other works, such as Jewels, are more classical in taste, but still echoes the Balanchine style and legacy throughout the dance sector in the twenty-first century.

Balanchine co-founded the School of American Ballet with Lincoln Kirstein and Edward Warburg in 1934, and consequently created one of his most iconic works, Serenade, as a result of his concern that his young students didn’t understand the difference between class work and perfor­mance. He decided the best way for them to learn was to give them something new and unfamiliar to dance. Balanchine said in an interview years later, “I made Serenade to show dancers how to be on a stage”, adding parts for whoever and whatever his classes consisted of. The first class had 17 girls, which explains the beginning of the piece using 17 dancers, and so on. For the emerging of the New York City Ballet, Kirstein envisioned an American ballet where young dancers could be trained and schooled under the guidance of the world’s greatest ballet masters to perform new, modern repertory, rather than relying on touring, imported artists performing for American audiences.

The School of American Ballet has been the home of New York City Ballet since Balanchine journeyed to the US, which has gone on to become one of the most renowned companies of the world. Today, the company is made up of over 100 dancers.

Image courtesy of Wikipedia.