Beginning its journey at the Royal Opera House, Will Tuckett’s adaptation of The Wind in the Willows is set to transfer to the West End for Christmas 2013.
Kenneth Grahame’s story of Toad of Toad Hall is the ROH’s first transfer, heading for the Duchess Theatre in December. It is the first time that a ROH production has transferred commercially to London’s West End, and may be the instigator of many more! With so many shows coming and going from the heart of the capital’s Theatreland, it is great news that the piece based on the movement vocabulary of ballet is destined for other stages.
Running for eight weeks, the classic story sees the outrageous and sometimes criminal adventures of the reckless Toad and his friends Ratty, Mole and Badger, told through dance, song, music and puppetry, set to delight audiences young and old. Transforming the much-loved story into an exciting production is a great development, with the piece originally just a small-scale Christmas production, the first to be created for the then newly opened Linbury Studio Theatre a decade ago. Through its popularity the piece has been brought back into the repertory in Covent Garden three times since as a fantastic theatrical show for the whole family.
The West End transfer will open up the production to even more audiences, and will be directed too by the choreographic brains behind the vision, Tuckett. The piece was inspired by the music of George Butterworth with a score created by the talented Martin Ward, with Willows having already played more than 100 performances since it was commissioned. The Wind in the Willows will follow the West End transfer of The Resistible Rise Of Arturo Ui starring Olivier Award winner Henry Goodman, following a run at the Chichester Festival Theatre in 2012.
Following much success of previous live cinema seasons which first emerged in 2007, and even outdoor screenings of ballet productions, The Royal Ballet has released its live cinema season for 2013/14, much to the delight of ballet fans all over.
Dame Margot Fonteyn’s name dominated British ballet for more than 40 years as one of the truly great dancers of our time and the most famous ballerina of the second half of the century. Her name is one part of the legendary partnership with Rudolf Nureyev, with Fonteyn becoming late choreographer Frederick Ashton’s muse and an iconic figure of the English classical ballet style of elegance.
The Russian superstar, and incredibly versatile, ballerina Natalia Osipova, most recently seen in the Mikhailovsky Ballet’s stint in London, is to join the Royal Ballet Company. Previously dancing with the Bolshoi Ballet, Osipova went on to leave the company two years later for the Mikhailovsky, in which she became a balletic household name. Her 2006 performance with the Bolshoi made her an overnight star when then-director Alexei Ratmansky picked her out of the corps de ballet.
The 1st April 2013 saw the release of 
This exclusive view means we get to see behind the scenes at one of the world’s most prestigious companies, from rehearsals to opening night, through some truly breathtaking photographs.
