2013 National Dance Awards

National Dance Awards Critics' Circle

28 January 2013 saw the 13th National Dance Awards winners announced at The Place, London. Considered by many as one of the most comprehensive list of dance achievements, 2013 certainly did not fail to deliver, providing a roundup of all the great work that was seen in 2012.

The awards are decided by the 60 members of the Dance Section of the Critics’ Circle after an extensive round of nominations and voting. To be eligible to win an award, performances had to take place in the UK between 1 September 2011 and 31 August 2012.

The 2013 winners are as follows –

DANCING TIMES AWARD FOR BEST MALE DANCER
Akram Khan (Akram Khan Company)

GRISHKO AWARD FOR BEST FEMALE DANCER
Marianela Nuñez (The Royal Ballet)

STEF STEFANOU AWARD FOR OUTSTANDING COMPANY
Royal Ballet Flanders

BEST CLASSICAL CHOREOGRAPHY
Annabelle Ochoa (A Streetcar Named Desire for Scottish Ballet)

BEST MODERN CHOREOGRAPHY
Arthur Pita (The Metamorphosis)

OUTSTANDING FEMALE PERFORMANCE (CLASSICAL)
Ksenia Ovsyanick  (English National Ballet)

OUTSTANDING MALE PERFORMANCE (CLASSICAL)
Zdenek Konvalina (English National Ballet)

DANCERS PRO AWARDS FOR OUTSTANDING MODERN PERFORMANCE (FEMALE)
Teneisha Bonner (Zoonation)

DANCERS PRO AWARDS FOR OUTSTANDING MODERN PERFORMANCE (MALE)
Tommy Franzén (Zoonation and Russell Maliphant Company)

BEST INDEPENDENT COMPANY
Ballet Black

DE VALOIS AWARD FOR OUTSTANDING ACHIEVEMENT
Robert Cohan

DANCE UK INDUSTRY AWARD
Jeanette Siddall

The Chairman of the Awards committee, Graham Watts OBE, spoke at the event, and dedicated the 2012 awards to the memories of the late Charles Hedges, John Percival and Freda Pitt, all of whom have died since the last awards. In the year of the Centenary of the Critics’ Circle, the combined years of membership for the three critics totalled a century.

The Royal Ballet of Flanders at Sadler’s Wells

Sadler's Wells

Sadler’s Wells is due to host the Royal Ballet of Flanders with Artifact, nearly thirty years after its premiere. American choreographer William Forsythe has created this subversive new-dance masterpiece, which is due to run at Sadler’s Wells until April 21st. As a 2009 Olivier award winner, the Royal Ballet of Flanders has been performing and touring worldwide for over four decades, renowned for their flawless technique and unconventional productions. The company specialises in classical ballet, neoclassical ballet and contemporary ballet and has done since its inception in 1969. Recently, the company has raised its international profile by adding more contemporary works to its repertoire.

Set to the music of Bach, Artifact was the first ballet that Forsythe created after becoming director of the Frankfurt Ballet 1984, and Artifact has since been described as “a masterpiece”. Forsythe is widely regarded as the most influential practitioner of the art form since Balanchine, creating works which questions the classical aesthetic of ballet and develops it further. As a ballet in four parts, Artifact features the choreography, scenography, lighting, and costumes of Forsythe, completely conveying his choreographic practices. Sporting warm yellow unitards, the dancers display impeccable classical technique, mixing pointe shoes with the bare foot. Artifact is famous for the way it subverts the traditional physical principles of ballet, and for the ways it plays with audiences’ ideas about the forms ballet can take on.

There is not a tutu to be found within Artifact, despite being performed by the only professional classically trained dance company in Flanders, engaging audiences and critics alike from Shanghai to Houston. Within the upcoming season, the company is due to tour to some of the most international ballet capitals of the world, spreading their influence… and airing their leg warmers!

Image courtesy of Wikimedia Commons