Yonah Takes The Lead!

Diaghilev's Ballet Russes
Photo: Russian Ballets Russe, Wikimedia Commons

Yonah Acosta, the English National Ballet winner of both the Emerging Dancer Award and The People’s Choice Award, has recently spoken of the admiration he holds for Royal Ballet principal dancer (and uncle) Carlos Acosta.

He also described his own self-consciousness, and the pressure he feels to break from his uncle’s celebrated career, despite his recent award success. One thing’s for sure: Yonah has one large pair of ballet shoes to fill!

Yonah grande-jeté’d onto the British dance scene at the young age of 13, when he played his Cuban uncle as a boy; his first taste of professional life. Now 22, having taken part in two of the most prestigious dance competitions in the UK, Yonah has begun to carve out his own destiny.

This is the third year of the Emerging Dancer Award, featuring a number of upcoming dancers. Drawing particular attention was fellow English National Ballet dancer Nancy Osbaldeston, wearing a striking red lace leotard of her own design. Meanwhile, Yonah, who performed solos from both Don Quixote and Diana And Acteon, wowed audiences with his incredible acrobatic interpretations of the pieces, costumed in a simplified toga design and taupe ballet shoes.

The English National Ballet’s Autumn Tour and Christmas season at the London Coliseum lead to Yonah’s additional winning of The People’s Choice Award, voted for by members of the public across the UK and in London. It is now expected that Yonah will continue this winning streak in the upcoming Beyond Ballets Russes programme at the London Coliseum, featuring alternative dancewear designs by both David Bamber for the World Premiere of a new Firebird, and by Kinder Aggugini, for revamped ballet The Rite of Spring.

Watch out for Yonah celebrating the legacy of Diaghilev’s famous company with English National Ballet, as they step out in a new direction!

The Royal Ballet Live

The Royal Opera House

Friday 23rd March was a mesmerising and completely unique day for ballet fans all over the world. The Royal Ballet at The Royal Opera House was streamed live all day from 10.30am on YouTube and The Guardian website, a world-first for dance.

The real-time day began with how every dancer’s day begins. The ritual of daily company class was followed by a whole day of rehearsals of the current season, such as the hi-tech spectacle of Alice’s Adventures in Wonderland. The broadcast included interviews and an examination of dancers’ lives, countering the numerous myths which have arisen surrounding the “notorious” side of the ballet world. Finalising the day was an exclusive Insights event, which explored Resident Choreographer Wayne McGregor’s new ballet in collaboration with musician Mark Ronson, Carbon Life. Contemporary McGregor demands entirely different physical aesthetics from the dancers, for example the abstract form and nude-coloured dance underwear of CHROMA.

Running parallel to the streaming was a Twitter trend, a constant feed by both official parties and fans alike, tweeting tales of tutus and discussing the blood, sweat and tears it takes to be a dancer in the famous pointe shoes of one of the world’s greatest ballet companies. The immense fan-base of The Royal Ballet was immeasurable, notably inspiring many followers to release their inner dancer and don their legwarmers!

The spectacular events unveiled online by The Royal Ballet give way to the speculation of a phenomenon inextricably linked to the streaming: the virtual ballet class. This would increase the accessibility of high-end ballet to general dance fans, providing a means for many more people to actively engage with dance by downloading or following a live, online ballet class. Dusting off the leotards and pink practice shoes may prompt the realisation of the integral “daily class” strand of ballet to the success of principal dancers to those participating in their first class.

Has Zumba Got Your Number?

ZumbaMany dance crazes throughout the years have come and gone, yet with a programme boasting over 12 million participants in 2011; Zumba looks like it’s set to stay.

With classes taking place in over 110,000 locations in 125 countries, it is clear that Zumba has taken the fitness and dance world by storm, utilising dance styles such as salsa, hip hop, and tango.

Zumba Fitness emerged in the United Kingdom in 2001 as a global fitness phenomenon following its huge success in Columbia. Its popularity demanded an increase in Zumba instructors, leading to the creation of an instructor training programme, mirroring that of the Royal Academy of Dance.

Where Does This Leave Dance?

As a fitness regime, Zumba is renowned for its catchy beats and vigorous workouts but appears to be marketed as a strand of the dance sector. If course the links between Zumba and dance are inextricable: leotards and jazz pants are suitable for any Pineapple Dance class, for example, be it Commercial Jazz, Lyrical or Zumba.

The influx of Zumba throughout the world may insist that it is now categorised in the same way as other dance forms used to keep fit. Zumba is without a doubt equally, if not more, accessible than the RAD and other dance training programmes.

The easy-to-follow moves and international rhythms provide an intense workout, but there is no evidence whatsoever that places Zumba on par with dance aesthetics, or the formalities of alternative teaching practices. Additionally, the shift towards the popular culture of Zumba may complement the rise in the increasingly fashionable dancewear. The urban dancewear, for example, is ideal for Zumba practice and getting around afterwards, with its dance sneakers-come-fashion trainers and dance hoodies verging on the couture.

If you haven’t tried it, give Zumba a go!

Photo: Universitetssykehuset Nord-Norge (UNN)