The 15th Annual World Hip Hop Championship is set to hit Las Vegas in August, where the world’s top hip hop and street dancers will be competing at the 2016 World Hip Hop DANCE Championship and World Battles. Otherwise referred to as “the Olympics of hip hop dance”, it will see a record number of 3,500 dancers representing 50 countries compete.
The championship will take place in early August, and competitors will be aspiring to win the gold medals and the world title, and score the perfect 10. The championship will begin with the USA Hip Hop DANCE Championship to determine those who will represent America. Over 100 Crews (made up of five to eight dancers) and MegaCrews (made up of 15-40 dancers each) from throughout the US will travel to Las Vegas to compete for the top three spots advancing to the World Championship.
The championship continues with the World Hip Hop DANCE Championship which will see over 250 Dance Crews and MegaCrews from 50 nations compete in qualifying rounds at the Westin Lake Las Vegas Resort, leading up to the World Finals at Thomas & Mack Centre. Here the World Battles will witness the world’s best street dancers go head to head for world titles for B-boys, Poppers, Lockers and All-Stylers.
The championship was created by Hip Hop International, the originator of the most respected and largest street dance competitions in the world, as well as the creator of “America’s Best Dance Crew”. Founded in 2001, Hip Hop International highlighted street dance, pushing it to the forefront of mainstream popular culture. The world championship is therefore viewed as the ultimate competition in street dance, launching the careers of dancers for artists and companies such as Justin Bieber, Jennifer Lopez, Rhianna and Cirque Du Soleil.
Launched in 2010, Sadler’s Wells Summer University supports the development of professional dance artists interested in extending their dance practice. The first edition of the project ran successfully between 2010-2014 and the organisation is now recruiting for the second edition starting in Summer 2015. The Summer University graduates (2010-2014) was a combination of notable dance names, and the second batch looks set to mirror this result.
Summer University offers 15 dance professionals the chance to take part in a four year project, meeting for two weeks each year to share work, hear talks, explore methodologies and philosophies of performance making and extend their own dance practice through self-study. As a free course, it is open to dance makers and other artists involved in the performing arts who are interested in developing their own choreographic practice. Also focused on is the future possibilities of dance as an art form.
The course is open to artists based in the UK, with no more than five years professional experience as a dance maker. Directed by the admired choreographer Jonathan Burrows, in collaboration with Eva Martinez, Artistic Programmer for Sadler’s Wells, the course encompasses guest speakers and experienced professionals from the worlds of dance, theatre, visual arts, philosophy and artistic development in sharing their knowledge.
The second edition of the Summer University will take place between 14-27 September 2015 at Sadler’s Wells, a unique opportunity for dance artists and dance makers to immerse themselves in the art and develop their practice further. Applications for the Sadler’s Wells Summer University are currently open: deadline to apply is 22 May 2015 at noon.
Future4Youth – the brainchild of Impact Dance’s founder and Artistic Director Hakeem Onibudo – is an exciting partnership between Impact Dance and the African Cultural Exchange Dance and Music. It is calling youth dance companies from all genres of dance to be selected to embark on a unique journey which will focus on dances of the African Diaspora and its relationship with hip-hop.
Twenty youth companies from the UK will be invited to take part in two workshops in May and June in Birmingham and London; following these stages ten companies will be invited to perform at a youth celebration platform in October. The workshops will be lead by Vicki Igbokwe (UCHENNA), Kenrick Sandy (BOY BLUE), Alesandra Seutin (VOCAB), Impact Dance and ACE Dance and Music. The focus will be on working with leading artists in these genres, and one youth company will go on to perform at Peacock Theatre, London, in February 2016. Running parallel is a Mentoring/Leadership programme for the young dancers in the companies, forming part of Impact Dance’s 20th Anniversary Celebrations.
Youth Companies must have members between the ages of 11-19, and the companies that are successfully chosen to perform at the platform in October can be represented by a maximum of 12 dancers. The initial 20 companies that are selected will receive a bursary of £400 per company to cover travel, and the ten successful companies who progress after July to the October platform will receive an additional bursary of £300 per company.
The opportunity offered by Future4Youth is one which aims to both develop youth dance in the genres of the African Diaspora and its relationship with hip-hop, as well as performances for young, aspiring dancers who will simultaneously gain experience in working as part of a team for the same end.
Taking place on 10th May, CDET’s Dance Careers Conference is not an event in the dance calendar to be missed. Hosted at Elmhurst School for Dance in Birmingham, the event offers a unique and informative one-day event providing high-quality, relevant and up-to-date information and guidance about further education, training and career opportunities in the dance and musical theatre industries.
Three bespoke strands will run independently through out the whole day. Students will each receive a ballet, jazz and musical theatre class, and gain an insight into what it is like to audition for a vocational college. They will also have the opportunity to take part in seminars providing them with information on choosing a course and college, as well as the audition process involved. Parents and carers’ seminars will include information on how to choose a vocational school, the different qualifications on offer, as well as auditioning, funding and careers information after training.
Additionally, teachers will be able to engage in technique class, often a rarity for busy teachers with hectic class schedules! Sessions focusing on how to create solos for student auditions will be held, as well as seminars on how to advise students when they are in the process of choosing a professional training school. Numerous industry professionals will also be involved with the busy conference, hosting sessions on building a dance business and how to market dance schools.
As with MOVE IT – the annual dance exhibition at London’s Olympia – a number of CDET Accredited Schools will be present to talk to attendees during the conference. These include Urdang Academy, Performers College, Northern Ballet School, Liverpool Theatre School, Bird College, Laine Theatre Arts, Italia Conti Academy of Theatre Arts, Cambridge Performing Arts, LIPA, The Centre Performing Arts College, London Studio Centre, Midlands Academy of Dance and Drama, Hammond School and Elmhurst School for Dance.
English National Ballet’s platform for emerging dance makers, Choreographics, will take place at Sadler’s Wells’ Lilian Baylis Studio on 19 and 20 June, a programme celebrating young choreographers. The initiative of the event focuses on the development of up and coming choreographers both within and outside the Company, offering them the opportunity to progress their skills as creators and discover their own choreographic language.
Recent debate regarding the absence of female choreographers in the dance industry has been heartfelt and passionate, so it is encouraging to see female dancer Stina Quagebeu as part of the programme, following Artistic Director Tamara Rojo’s additions to the debate. For the first time, Choreographics is open to artists outside of English National Ballet in 2015, and sees work presented by Morgann Runacre-Temple, choreographer in residence at Ballet Ireland since 2009, who has created four full-length ballets for the company; and Renato Paroni de Castro, who has previously choreographed works for Sarasota Ballet and London Studio Centre’s classical ballet performance group, Images of Dance.
The six works programmed are completed by company dancers, inspired by the theme of post war America, from English National Ballet artists Fabian Reimair, who created We Are Free for last year’s programme; James Streeter, who’s work In Living Memory was performed at Latitude Festival in 2014; Quagebeur, who’s Vera was selected by The Breaking Glass Project and performed in New York, and who recently worked on English National Ballet’s second Dance Journeys project at Sadler’s Wells; and Max Westwell, making his debut as a choreographer in a professional setting.
Each choreographer will receive mentoring from award-winning choreographer Russell Maliphant and dancer, choreographer and teacher Kerry Nicholls. Musical guidance will be received from English National Ballet’s Music Director Gavin Sutherland, and each piece created will be performed by English National Ballet company members, ensuring the roots of the competition continue to flourish.
The Lincoln Centre is set to be overrun by thousands of teenage dancers, and many in tutus, as the Youth America Grand Prix begins in April.
6,636 young ballet dancers – aged 9 to 19 – have danced around the globe in preparation for the YAGP. 1,204 finalists are now heading to New York in April for a finals week culminating on stage at the David H Koch Theatre at the Lincoln Centre, a huge showcase for youth dance in uncovering future professionals.
The Youth America Grand Prix is the world’s largest student ballet competition, inviting aspiring young dancers to go head to head in competing to excel their dance careers. Young dancers come from across Asia, Australia, Europe, America and Africa, as well as the best ballet schools in the USA, hoping for an eventual place in one of the world’s best ballet companies. Following the conclusion of the competition, dozens of past winners have gone on to join companies such as American Ballet Theatre, the Mariinsky Ballet, New York City Ballet, and many others.
The Youth America Grand Prix is also one of the world’s largest dance networking events. The final round will give audiences a unique chance to see some of the world’s best young dancers perform before they go on to study around the world as a result of the $300,000 in scholarships presented annually. Since its founding in 1999, the competition has seen over 70,000 young dancers participate.
The full week for 2015 will include the finals, the Youth America Grand Prix annual ‘Stars of Today Meet the Stars of Tomorrow’ Gala and ‘David Hallberg Presents – Legacy’, all happening at the Lincoln Centre.
The end of March saw the iconic Robert Cohan CBE, the father of British contemporary dance, celebrate his 90th birthday. As part of the celebrations, The Place announced the inaugural Cohan Lecture and re-launch of the Cohan Scholarship at the gala event on Thursday 26 March, and again on Friday 27 March when the event was open to the public too. The special gala event celebrated the immense contribution the legendary choreographer continues to make to dance in the UK, premiering a new work choreographed for 2015 on Liam Riddick of Richard Alston Dance Company.
The Place’s lecture series aims to cultivate lively debate around topical issues, named as the Cohan Lectures, in honour of the lively and enquiring mind of its founding Artistic Director and Patron, Robert Cohan. The first of these, entitled ‘What Matters?’, will see two of the great creative thinkers of our time, Sir Ken Robinson and Cohan, debate this question on Thursday 11 June at The Place. The lectures will run annually, inviting high profile speakers from a broad range of industries and backgrounds to continue this debate.
The re-launched Cohan Scholarship aims to support driven, talented students at London Contemporary Dance School who are in their final year, at the brink of their professional careers, to realise their potential. With donations made by supporters and guests in advance of the event, over £18,000 has already been raised, and the fund is now open for future donations. The scholarship is a way of making sure talents are excelled and potentials as independent artists are realised. The Cohan Scholarship will be awarded annually to students from London Contemporary Dance School’s BA Hons programme to support their training. The scholarship will support named students with exceptional potential in performance.
The Edinburgh International Festival has announced its 2015 programme, including some exciting dance highlights. These include Sylvie Guillem, Israel Galván, Zürich Ballet and Les Ballets C de la B. This year’s festival runs from 7-31 August, and is an artistic delight for all culture vultures.
Les Ballet C de la B will dance Alain Platel and Frank Van Laecke’s En Avant, Marche!, a work which starts in the rehearsal room of an amateur brass band in Flanders. Ballet Am Rhein will dance Martin Schläpfer’s Seven, set to Mahler’s Seventh Symphony, and the iconic Guillem will perform her farewell show, Sylvie Guillem – Life in Progress. In addition, Galván will dance Lo Real, which explores the plight of the Roma and Sinti people in fascist Spain in the 1930s and 1940s.
The Festival provides a huge variety of artistic offerings to those who descend upon the city during the summer. In terms of dance 2015 is an important year, especially for those hoping to catch Guillem performing for the last time. Guillem will also be performing at Sadler’s Wells and the Birmingham Hippodrome as part of her farewell tour.
Also at the Edinburgh Festival, Zürich Ballet will perform a double bill of company director Christian Spuck’s Sonett which uses speech and music by Mozart and Philip Glass to explore Shakespeare’s sonnets, in addition to Wayne McGregor’s Kairos, set to Max Richter’s reimagining of Vivaldi’s The Four Seasons with designs by Idris Khan. TAO Dance Theatre will perform Weight x 3, created by its founder Tao Ye to music by Steve Reich. Richter will also perform his Vivaldi work in concert with the BBC Scottish Symphony Orchestra. There will also be a dance element in a new production of Mozart’s opera The Marriage of Figaro, conducted by Iván Fischer with choreography by Veronika Vámos.
In preparation for Northern Ballet’s exclusive 45th anniversary Sapphire Gala, it has been announced that the dancers of Northern will be joined by eminent guest artists from The Australian Ballet, The Royal Ballet, Hamburg Ballet and Phoenix Dance Theatre. This special celebration will be held at Leeds Grand Theatre on Saturday 14 March, with tickets available for the general public to purchase. The Sapphire Gala is a rare opportunity to see exceptional dance talent from across the world brought to the stage for one magical performance next month.
The Sapphire Gala will showcase both new and classic pieces from renowned choreographers, and Northern Ballet’s talented dancers will be joined on stage by some of the world’s most celebrated dance artists for one night only. It is notable that many of these artists are rarely seen on the stages of the UK. This spectacular evening will see The Australian Ballet perform extracts of its magical production of Cinderella, particularly. Northern Ballet will also be joined by its renowned contemporary dance company and Leeds neighbours, artists of Phoenix Dance Theatre.
Northern Ballet’s dancers will perform new pieces specially created for them by Artistic Director David Nixon OBE; former Royal Ballet dancer and acclaimed choreographer Jonathan Watkins (who is creating the Northern Ballet’s 2015 première 1984); Northern Ballet dancer and upcoming choreographer Kenneth Tindall and Ballet Master Daniel de Andrade. The company will also perform Little Monsters by Stuttgart Ballet’s resident choreographer Demis Volpi, and Northern Ballet Soloist Lucia Solari will be joined by a guest from Hamburg Ballet to perform an extract from their adaptation of The Nutcracker.
In what looks set to be a thoroughly entertaining evening, audiences will also be treated to a grander version of the Charleston from Northern Ballet’s blockbuster ballet The Great Gatsby, based on the story of the same title.
The international hip hop festival – Breakin’ Convention – will run from 1-4 May at Sadler’s Wells and Lilian Baylis Studio. Breakin’ Convention has firmly established itself as one of the major highlights on the British dance calendar and one of the world’s greatest celebrations of hip hop culture. 2015 will see performances from UK and international companies and crews, the 12th year of this hugely popular Sadler’s Wells Production, hosted and curated by Associate Artist Jonzi D.
While Breakin’ Convention is an event for the whole family, for the first time this year there will be an adult-only evening of entertainment in the Lilian Baylis Studio, an intimate show blending stylish cabaret, circus, live music and burlesque with hip hop. The main festival on Saturday 2 and Sunday 3 May sees Sadler’s Wells’ foyer transformed with live DJs, freestyle dance jams, graffiti exhibitions, workshops from top international artists and live aerosol art. Participatory activities will take place pre-show and during the interval. Full line-up to be announced 12 March 2015.
Artistic Director of Breakin’ Convention and Jonzi D Projects, Jonzi D has been actively involved in British hip hop culture in clubs and on the street since its genesis in the early 1980s. Since graduating from the London Contemporary Dance School, he has been committed to the development of hip hop theatre, in his former role as Associate Artist at The Place and by creating and performing dance theatre pieces worldwide.
Breakin’ Convention is committed to celebrating, elevating and supporting hip hop dance theatre: the company works with the most respected, innovative and inspirational hip hop artists in the industry. Through its world-renowned international festival, professional development, youth projects and educational programme, Breakin’ Convention seeks to position hip hop dance alongside more historically established artforms.