The judging panel and choreographer for the Final of the 2013 Genée International Ballet Competition has been announced by the Royal Academy of Dance in the run up to its flagship competition, fondly known as the Genée. The Genée is one of the largest annual ballet competitions in the world and is widely recognised in the dance industry, with past winners going on to dance with some of the best companies.
Retired Principal ballet dancer and recently appointed RAD President Darcey Bussell CBE, Royal Ballet Director Kevin O’Hare and Scottish Ballet Artistic Director Christopher Hampson will be judging the Final at this year’s Genée, to be held in Glasgow from 20-29 September in association with the Royal Conservatoire of Scotland and Scottish Ballet. Hampson has been an active supporter of the Genée since 2003 when he took on the role of the Commissioned Choreographer.
The panel will select medallists from the entrants, the rising stars of ballet, who will perform variations choreographed by Royal Ballet Choreographic Apprentice Robert Binet, and also those from either 19th or 20th century classical repertoire. The entrants will have the chance to interpret new choreography from Binet, with both dancers and choreographer learning from each other. Binet’s work will be performed by both male and female competitors and will be premiered at the Final, which will take place at the Theatre Royal Glasgow on 29 September 2013. Public performances by semi-finalists will take place on 26th and 27th September at the New Athenaeum Theatre, Glasgow.
The Genée attracts high levels of talent from young dancers all over the world who have passed their RAD Advanced 2 exam. The Genée gives the judges, audience and entrants alike the chance to see the new generation of ballet talent tackle fantastic and renowned choreography on an international stage in a showcase of international dance talent.
Under its new Artistic Director, Christopher Hampson, Scottish Ballet has recently unveiled its plans and aspirations for the foreseeable future.
Scottish Ballet is the national dance company of Scotland, albeit the smallest of the national ballet companies in the UK, but this does not mean that Scottish Ballet are treading lightly on the rest of the ballet shoes of the dance community. The Company is looking forward to enriching, enthusing and engaging with communities, participants and audiences, tutus and all. In partnership with the Royal Academy of Dance and the Royal Conservatoire of Scotland, it was announced Scottish Ballet will present the Genée International Ballet Competition in Glasgow in 2013 from 20- 29 September.
Commissioning new work is just one of the other ways that Scottish Ballet is extending its reach with many female choreographers such as ex-dancer with Forsythe’s Ballet Frankfurt Helen Pickett, Associate Choreographer of Nederlands Dans Theater Crystal Pite and Royal Ballet Soloist Kristen McNally, in addition to Scottish Ballet being among the first to commission a brand-new work from 22-year-old London Contemporary Dance School graduate James Cousins who has just presented his first work at Sadler’s Wells. Cousins won the New Adventures Choreographer Award, set up by director and choreographer Matthew Bourne OBE and coincidently co-judged by Hampson. The Company will be working with a wide range of choreographers that will allow the Company to broaden the existing repertoire and produce new work in original ways for the usually leotard and tights clad dancers. The Company is also in talks with major international promoters and arts festivals in order to explore innovative ways to present their work.
For the first time, Scottish Ballet will present the work of five-time Olivier Award-winning Bourne which will grant the Company an exclusive license to Bourne’s Highland Fling, inspired by La Sylphide. Scottish Ballet will tour Highland Fling across Scotland in spring 2013, spreading both Bourne’s and the Company’s influence.
Hampson’s creative leadership will not only see him choreograph, but also embrace the imagination of the people of Scotland and beyond. Beginning in autumn 2012, Scottish Ballet will launch Hansel & Gretel, and Me, a new project that connects creation to education and merges artistic expression with real life, giving communities the chance to participate in ballet in the broadest possible sense.
Image courtesy of the www.theedinburghblog.co.uk on Flickr.
Internationally acclaimed choreographer Christopher Hampson is due to return to his ballet shoe roots and further step into his role of speaker at the Royal Academy of Dance on April 10th for the Faculty of Education. Hampson is the first of the Guest Speaker Series and will discuss his journey through the dance sector – a story both intriguing and inspiring.
Hampson’s experience of dance began as an RAD student aged six, grasping his first taste of the ballet bug. Swapping his RAD white leotard and navy leggings for more choreographic attire, Hampson is set to take up the role of the Artistic Director of Scottish Ballet in August 2012.
As a former member of English National Ballet, Hampson created numerous works, including Double Concerto and The Nutcracker, going on to win the Barclays Theatre Award and the Critics’ Circle Award for Best Classical Choreography. In addition to ENB, Hampson has choreographed works for The Royal Ballet, Royal New Zealand Ballet, Atlanta Ballet, National Theatre in Prague and Ballet Black, among others, and is also a sought-after guest teacher and coach for companies throughout the world, including Hong Kong Ballet and Matthew Bourne’s New Adventures. Hampson’s works for the Genée International Ballet Competition have recently been included to form part of the RAD Solo Seal Award, emphasising the profound influence Hampson holds over the dance sector, from the tutus and tiaras of The Royal Ballet, to jazz shoes and black costume gloves of New Adventures.
At the RAD, Hampson will discuss and show clips of his work, going on to take questions from the audience, inviting dance fans from all over the world to engage with this inspirational dance practitioner. The event is free of charge to Faculty of Education, RAD members and RAD staff, and additionally non-members are welcome to reserve in advance in order to take full advantage of this fantastic opportunity.
Reserve your place by Friday 30th March by contacting Zofie Fraser at email@example.com.
Image courtesy of the Royal Academy of Dance.