June 2013 – Dance Direct Blog. News, Reviews & Advice About Dance

Step LIVE! 2013

Step into Dance, a partnership between the Jack Petchey Foundation and the Royal Academy of Dance, will be hosting Step LIVE! 2013 on Sunday 14 July, marking the return of the unmissable annual flagship event of Step’s school community dance programme.

Step LIVE! 2013 will transform the foyer of Sadler’s Wells into a hive of activity from 4.30pm, with free events with something for everybody to enjoy including dance battles, pop up dances, videos and films. Whether you are a budding breaker or a popping pro, the afternoon looks set to be bursting with energy and phenomenal dancing. The show on the main stage will follow at 6.30pm, with over 400 talented young dancers from schools in 32 London Boroughs and Essex coming together to celebrate their love of dance in this diverse and inclusive evening.

Step into Dance is the biggest ongoing inclusive dance initiative in London and Essex, with 200 participating State Secondary Schools. With Step LIVE! as Step’s annual flagship celebration of youth dance just one of the many events and workshops Step initiates, it is a celebration of all the Step into Dance team do for young dancers across the capital,

Tickets: £8 (some with restricted view) £10, or £15 with 20% discount for groups (8 or more) in the stalls, making the event perfect for schools who are interested in taking part in the Step into Dance scheme.

School groups of 5+ can book tickets in the second circle for £8 per person. For this offer, please book over the phone or in person (not online). For school groups of over 10 students you will receive one free ticket for the accompanying staff member.

English National Ballet’s 2014 season

ENB Logo

English National Ballet’s Artistic Director Tamara Rojo has announced the company’s 2014 season, which is set to include performances at the Barbican, which is new territory for the company. Previously solely classical, the company under Rojo’s instruction has begun to embrace more new works and modernised thinking in terms of opening ballet up to wider audiences. The Barbican will also fit with the company’s intrinsic tradition of touring and presenting ballet to new and existing audiences too.

This change in tact from the young Director is the force behind her first new commissions for the company, working with award winning British choreographers Akram Khan, Russell Maliphant and Liam Scarlett in order to create new works for ENB as part of a programme of dance inspired by the centenary of WWI. This programme will be performed at the Barbican alongside a reworking of Associate Artist George Williamson’s Firebird.

Exciting news for ballet fans also came in the form of the announcement that Rojo will be performing alongside ballet legend Carlos Acosta in Romeo and Juliet. This will reunite the iconic stars in the classic romantic production that was created for Rojo earlier in her career by choreographer Derek Deane when she first danced with ENB in 1997. Rojo went on to dance the role of Juliet with Scottish Ballet, and last danced Juliet opposite Acosta’s Romeo in 2011 with The Royal Ballet, which included the choreography of the late Sir Kenneth MacMillan.

ENB’s Romeo and Juliet will be performed by a company of 120 dancers and actors at the Royal Albert Hall in June 2014, so it is certain that the upcoming season looks sure to both delight audiences with older works, in particular this epic staging of the classic work by Shakespeare, and sparkle with new commissions.

Rambert’s 87th Birthday

Rambert Dance Company Logo

Rambert Dance Company turned 87 years old on 15 June 2013 as Britain’s oldest dance company. There has been much discussion amongst balletomanes recently about the ethnicity of dancers in British ballet and dance companies and the lack of British dancers, so it is ironic that Rambert’s founder, Marie Rambert, was Polish and originally studied Eurythmics under Emile Jacques-Dalcroze.

Established in 1926, Rambert – as it is now to be known following recent rebranding of the Richard Alston named Rambert Dance Company – is the flagship modern dance company of Britain, employing more dancers and artists than any other dance company in the UK. Rambert appeals widely to audiences all over the world, often dancing the works of iconic choreographers both past and present, such as Wayne McGregor, Siobhan Davies and American modern dance pioneer Merce Cunningham. This gives a certain stature to Rambert’s work as it continues to provide a vast repertoire of works around the world.

Rambert’s first choreographic work in 1926 is said to mark the birth of British ballet under the title A Tragedy of Fashion by Frederick Ashton, who was then one of Rambert’s students. In 1935 Rambert was renamed Ballet Rambert (from the Ballet Club as it was originally known), and this name remained until 1987. Rambert became a touring ballet company for up to 35 weeks a year during the Second World War and frequently performed at Sadler’s Wells. Ballet Rambert then went on to perform several classic including Giselle, Coppelia and the first major British productions of La Sylphide and Don Quixote, rather than creating new works.

In 1952 Rambert travelled to America to see the new developments in dance and study with some of the major choreographers of the time, such as Martha Graham. Following this the company returned to its original ethos and transformed from a medium-scale classical touring company, to smaller ensemble, to contemporary dance company in later years.

Worldwide Wicked

The beautiful Willemijn Verkaik is set to will join the cast of Wicked the musical in London this year, bringing her esteemed performance as Elphaba to West End audiences following more than 1,000 appearances as the witch in productions all over the world. The Dutch musical theatre star has played the role in productions of the hit show in Holland, Germany and on Broadway, making her the only actress to have ever performed the role in more than one language. Wicked, and musical theatre in general, looks set to take over the world!

Wicked, which opened in London in 2006 and on Broadway in 2002, has been seen by more than five million people. The production tells the story of the Witches of Oz, and how two young magic students became Glinda the Good and the Wicked Witch of the West before Dorothy flew in. London audiences will now get the opportunity to experience and acknowledge Willemijn’s performance as Elphaba, who will join the cast at the Apollo Victoria theatre six years after she made her Wicked debut abroad.

Verkaik is by no means a one trick pony: she has also appeared in We Will Rock You and Elton John’s Aida, and has made numerous concert appearances across Europe. In 2012, Verkaik made her Broadway debut in Wicked earning her a Broadway.com Audience Award nomination for Best Takeover. Considering Broadway and the West End alone, this transfer greatly widens the audiences of Verkaik’s talent, and ultimately acknowledging her ability to perform the role in three languages opens up a whole new meaning of the word ‘accessible’.

Louise Dearman, who is currently playing the role of Elphaba on the West End stage is the first person to ever play both leading roles, having first played Glinda in 2010, and will play her final performance in the musical in November.

Image courtesy of Wikipedia.

Newsies – A New Musical For The West End

Newsies - The Musical The Broadway musical Newsies is said to be hitting the capital’s West End with leaps, kicks and turns in the spring of 2014. As a result of this exciting transfer, the hit show, by Harvey Fierstein, will be scouting for UK dance talent to fill the dancing shoes of the production’s esteemed Broadway dancers.

The producers will be holding open auditions in order to find their cast for the show, which is based on the 1992 Disney film starring Christian Bale, reminding many theatre-lovers of the ‘cattle market’ style auditions conducted for A Chorus Line in which hundreds of enthusiastic performers queued for many hours. Newsies requires just two male dancers, insinuating that these auditions will find them in possibly worse conditions than those for A Chorus Line.

Newsies is currently running at the 1,200 seat Nederlander Theatre on Broadway, and tells the story of the real-life newsboy strike of 1899 as the boys’ leader fights against big-time publishers Joseph Pulitzer and William Randolph Hearst. The show – it has been reported in the arts press – is aiming to open at either the Piccadilly or the Savoy Theatre next year, following two open auditions on 17 June 2013 at Pineapple Dance Studios in the heart of the West End. The auditions are hoped to produce two trained dancers with excellent ballet technique and dance talent, capable of playing ages between 16 and 22 years old.

The production, also containing acrobatics, tap dancing and a huge amount of energy, won two Tony Awards in 2012, one of which was for Christopher Gattelli’s choreography and the other for Alan Menken and Jack Fieldman’s score. The show was originally intended as a regional production and had a trial run in New Jersey in 2011 which was followed by its transfer to Broadway in 2012 and the nominations for five other Tony Awards.

Images courtesy of Wikipedia.

Akram Khan Company To Hit Australia!

Akram Khan

This summer will see a continuation of celebrations of the 100^th anniversary of the notorious The Rite of Spring by the Akram Khan Dance Company taking Khan’s iTMOi (in the mind of Igor [Stravinksy, the composer]) to Australia and presenting it at the Sydney Opera House in August and September 2013. This production will visit the city direct form its world premiere at the Maison de la Culture in Grenoble and a season at Sadlers Wells, London. This is incredibly exciting news for contemporary dance fans in the southern hemisphere!

iTMOi was choreographed by Khan to mark the 100th year since the provocative premiere of Igor Stravinsky’s The Rite of Spring in Paris, in which it evoked rioting and disorder. As a result, iTMOi aims to capture the chaotic energy of the original work, taking its vibrant spirit as the starting point for the new work and creating something organic.

Khan is renowned for his artistic collaborations and for this production he has worked with composers Nitin Sawhney, Ben Frost and Jocelyn Pook to develop a brand new score, inspired by Stravinsky’s work. Khan stated that he was ultimately interested in the dynamics of how Stravinsky transformed the classical world of music by evoking emotions through patterns, rather than through musical expression, which audiences could argue is none existent in the groundbreaking work. The patterns of the music are rooted in the concept of a woman, the ‘chosen one’ dancing herself to death as sacrifice, which forms the main part of Khan’s inspiration in reinvestigating the work. Khan also aimed to explore the human condition, not just the patterns, to remind audiences of the essences of the mind and imagination, which are wild and self-generating.

Images courtesy of Andy Miah at Flickr.

A George Gershwin tribute

Some of today’s most renowned musical theatre artists will be paying tribute to the music of George Gershwin by performing at a concert in September. Michael Ball, Kerry Ellis and Gina Beck, amongst many others, are set to celebrate his music through Summertime – An Evening of Gershwin which will be part of the Live by the Lake season at Kenwood House, north London, later in the year.

The event, hosted by Ball, will also feature David Shannon, whose credits include performing in hit musicals The Phantom of the Opera and Miss Saigon, both of which have been tremendous successes in their own rights. In terms of Gershwin, born in September 1898, the American composer was renowned for his partnership with his brother Ira, who provided the lyrics for George’s compositions.

Some of the Gershwin brothers’ greatest musical numbers include Rhapsody in Blue, Someone to Watch over Me and Porgy and Bess. The compositions spanned both popular and classical genres of music, and today the melodies are widely known. English National Ballet even produced a fully-fledged work named Strictly Gershwin in celebration of the brothers’ music, providing audiences with a completely different but wholly enjoyable show. George’s 23 year career saw the pair even work for Hollywood with George composing the music for Shall We Dance, the musical film starring Fred Astaire and Ginger Rogers.

In addition to Summertime – An Evening of Gershwin, other shows which will feature as part of the Live by the Lake series include a screening of Singin’ in the Rain, featuring the Royal Philharmonic Concert Orchestra playing the film’s score live, taking place on 30 August. The screening will follow the departure of the West End musical for its consequent UK tour.

Image courtesy of Wikimedia Commons.

The Prix Benois de la Danse

One of the world’s most prestigious ballet competitions, the Prix Benois de la Danse is awarded at the Bolshoi Theatre in Moscow, Russia every year in order to give credit to the best of dance talents in the world for their achievements over the past year, such as best choreographer, as well as the best male and female dancer.

Arguably on par with the Oscars, the awards credit the world’s stages’ most prestigious and outstanding talent. The 2013 ceremony at the Bolshoi saw many high achievers collect their awards. Choreographer Hans van Manen was honoured for his Variations for Two Couples with the Dutch National Ballet, and Christopher Wheeldon was also honoured for his production of Cinderella with the Dutch National Ballet. Congratulations were also awarded to John Neumeier, who is the director and choreographer of the Hamburg Ballett, for his Life Achievement award for dance.

In terms of dancers, ballerina Olga Smirnova of the Bolshoi Ballet was acknowledged for her roles performed at the Bolshoi Theatre, such as Nikia in La Bayadere, Aspicia in The Pharaoh’s Daughter, and Anastasia in Ivan the Terrible. Additionally, Alban Lendorf of The Royal Danish Ballet was applauded for his role Armand Duval in The Lady of Camellias and Vadim Muntagirov was also honoured for his role as the Prince in English National Ballet’s Sleeping Beauty when he danced alongside the company’s artistic director Tamara Rojo.

The Prix Benois de la Danse was founded by the International Dance Association in Moscow in 1991, taking place annually and judged by a dance jury consisting of the ‘top’ ballet folk whose members change every year. The competition recognises exceptional events and incredible talent with monetary awards, based on the previous year of the industry, including choreographic accomplishments in addition to recognising dancing roles.

Coppelia’s Bad Boy

Sergei Polunin, the notorious “bad boy” of the ballet world, is set to appear in The Moscow Stanislavsky Ballet’s production of Roland Petit’s Coppelia at the London Coliseum in July this year for just six performances.

Petit’s version of the work, which debuted in 1975, is just one interpretation of one of the most well-known ballets with the story including magic, humour, love and even a happy ending!

Staged by Luigi Bonino and set to music by Leo Delibes, this particular production contains all the loved classics of the classical ballet, including the Mazurka, the Waltz of the Hours and the energetic Czardas dances.

The Moscow Stanislavsky Ballet is lead by internationally renowned dancer Igor Zelensky and will bring together some of the century’s finest principal dancers such as the 23 year old Ukranian star Polunin and up-and-coming ballerina Erika Mikirticheva, who will be dancing Franz and Swanilda respectively amongst two other casts. As an incredible yet completely notorious talent, Polunin is set to wow hungry audiences as he helps tell the story of red-blooded Franz’s comic adventures in his falling in love with the beautiful (doll) Coppelia.

The Moscow Stanislavsky Ballet was born in 1939 as a result of the joining of the Nemirovich-Danchenko Music Theatre and the Moscow Art Ballet, founded by the former Bolshoi ballet star Victorian Kriger. The established company quickly became one Russia’s leading ballet companies and went on to tour extensively across Europe and the USA. Today, the company has since staged numerous productions such as Cinderella, Don Quixote, Giselle, La Sylphide, Mayerling, Napoli, Swan Lake, The Nutcracker and even The Little Mermaid. This demonstrates that this first-class company still provides much for the ballet world, and with fantastic casts for its productions, will continue to do so well into the future.

Image courtesy of Wikimedia Commons.

Bob Fosse: The Iconic Mover

June 23 will mark the anniversary of dance legend Bob Fosse’s birth in 1927, almost 90 years since. Fosse was an American actor, dancer, musical theatre choreographer, director, screenwriter, film editor and film director, with some of his dance work including The Pajama Game (1954), Damn Yankees (1955), How To Succeed In Business Without Really Trying (1961), Sweet Charity (1966), Pippin (1972), Cabaret (1972) and Chicago (1975). He won eight Tony Awards for choreography and one for direction.

Fosse was born the son of a vaudevillian and began performing in vaudeville as a child. By his early teens he was appearing on stage in a variety of burlesque shows and he began studying dance at a small institution, but soon moved on to the Frederick Weaver Ballet School where he was the only male enrolled.

Fosse’s third and last wife, Broadway legend Gwen Verdon, helped to define and perfect what is now known as “Fosse”, the unique and distinct style which Fosse used to choreograph and become such an iconic mover. With fantastic energy and artistry, Fosse was one of this century’s great choreographers, forging his craft on the Broadway stage and on film and becoming as big an artist as Vaslav Nijinsky and George Balanchine.

As an artist, Fosse was known for his thoroughly modern style, training under jazz star Jack Cole, a creating a signature style which could not be mistaken for any other movement. His movement vocabulary consists of snapping fingers, hip and shoulder rolls and backward exits alongside exaggerated hip movements, struts and white-gloved, single-handed gestures. Some of his stereotypical style was born of his dislike of certain parts of his body, such as white gloves to hide his large hands and tilted bowler hats to hide his balding head. Despite this, his movement and consequent dancers he taught were fluid and angular, full of style and charisma.

Image courtesy of Wikipedia.