Jersey Boys Star With Board Game Hit!

David McGranaghan & Game For FameJersey Boys actor David McGranaghan, who is currently starring as Nick Massi in the hit West End musical, has launched the board game Game for Fame. David teamed up with fellow actor Joseph Pitcher to create Game for Fame, where you ‘race from rags to riches and end up in stitches’.

The game has gained a large following due to its tongue-in-cheek view of the celebrity world and has recently been ranked in Amazon’s top 5 selling board games. David puts the success of the game down to its originality, inclusivity and humour, with the challenges both competitive and fun. David runs the business during the day with business partner Joe and then stars in Jersey Boys in the evening, which is the best of both worlds for him.

Jersey Boys tells the remarkable true story of Frankie Valli and the Four Seasons and their rise to stardom from the wrong side of the tracks. These four boys from New Jersey became one of the most successful bands in pop history, were inducted into the Rock & Roll Hall of Fame and sold 100 million records worldwide, all before they turned 30.

The musical is the winner of 54 major awards worldwide, including the Olivier Award for Best New Musical. The show originally opened on Broadway in 2006, receiving the Tony Award for Best Musical. As well as still running on Broadway and in the West End, Jersey Boys can be seen in Las Vegas, across the United States on its US National Tour, and in Perth, Australia, and will open soon in Cape Town, South Africa and the Netherlands. The musical will be transferring to the Piccadilly Theatre in March 2014, with the last performance at the Prince Edward Theatre on Sunday 9 March.

The Bodyguard Extends Its Run!

The Bodyguard MusicalThe Bodyguard, hit West End musical based on the iconic film, has recently recently released another 300,000 tickets in an announcement that it is extending its triumphant run until August 2014. Fans can now enjoy Thea Sharrock’s hit production for even longer, based on Lawrence Kasdan’s 1992 Oscar nominated Warner Bros. Film.

Former Secret Service agent turned bodyguard, Frank Farmer, is hired to protect superstar Rachel Marron from an unknown stalker. In the romantic thriller, The Bodyguard features a whole host of Whitney Houston classics including Queen of the Night, One Moment in Time, Saving All My Love, I’m Your Baby Tonight, Run to You, I Have Nothing, I Wanna Dance With Somebody and I Will Always Love You.

In September soul queen Beverley Knight joined the production as Rachel Marron to rave reviews alongside Tristan Gemmill as Frank Farmer, meaning The Bodyguard has already had an exciting year. As well as Knight (Rachel Marron), Gemmill (Frank Farmer) and Debbie Kurup (Nicki Marron), the current cast also features Richard Lloyd King (Bill Devaney), Stephen Marcus (Tony), Dominic Taylor (Sy Spector), Michael Rouse (Stalker) and Stuart Reid (Ray Court).

In October a special gala performance welcomed the new cast and was attended by many VIP Guests including Matt Cardle, Mel C, Sophie Ellis-Bextor, Emeli Sandé and Joss Stone. Earlier in November the musical celebrated its first birthday at the Adelphi Theatre in the capital, celebrating by having Kurup, at the end of the performance, asking the audience to join in celebrating this milestone as a specially commissioned birthday cake was brought out on to the stage. The cast then treated the audience to their own rendition of “Happy Birthday”. Kurup has played Nicki Marron in the production since its world premiere in December 2012.

Phoenix Dance Theatre

Phoenix Dance TheatrePhoenix Dance Theatre has grown over the last thirty years to become a renowned and respected British dance company. Founded in inner-city Leeds, the company has become a leading contemporary company and now completes both national and international tours in the aim to bring inspiring and entertaining dance to the widest possible audience.

Founded in 1981 by David Hamilton, Donald Edwards and Vilmore James, Phoenix’s fresh approach to contemporary dance won much support from its audiences and critics. The company began with just male dancers and went on to appoint female dancers from 1987 following the appointment of Neville Campbell as Artistic Director. Cambell worked to expand the company to ten dancers, and also expanded the company’s repertoire. In this year also the company established its permanent base at Yorkshire Dance in Leeds city centre.

1991 saw Margaret Morris take over as Artistic Director, and with this saw the expanding of the company’s UK and international touring. In 1996 the company were the some representative of British dance at the Cultural Olympics in Atlanta, and the company continued to grow under two more Artistic Directors, establishing an archive and rebranding the company. Phoenix has seen many styles of directorship and many growing facets as a result: under Javier De Frutos, for example, the now multi-cultural company won the ‘Company Prize for Outstanding Repertoire (Modern)’ at the Critics’ Circle National Dance Awards.

Current Artistic Director Sharon Watson was appointed in 2009, re-introducing the company to diverse and mixed programmes of work and revived classic pieces from the companies rich repertoire. The company now aims to be the leading middle scale dance company in the UK, having just celebrated three decades of dance. The company’s new home at Quarry Hill means Phoenix can continue producing high quality work for even longer.

New West End Shows Courtesy Of Bill Kenwright Ltd

Bill Kenwright LimitedThe producing company Bill Kenwright Limited is planning to bring around 10 shows into the West End in 2014, under the guise of new producer Jeremy Meadow. His roster of shows which he is set to transfer to the capital will follow the opening of Twelve Angry Men at the Garrick Theatre. Also planned by Bill Kenwright Limited is the revival of French farce Chin-Chin with Simon Callow and Felicity Kendal and The Butterfly Lion by Michael Morpurgo, which are both currently on tour, and the two classics Oleanna by David Mamet and JB Priestly’s Dangerous Corner also set for revival.

Meadow has said that theatre availability would dictate which of the 10 shows made it into the West End; it seems there will be some definite transfers, despite the fact there are not definite houses for them. There are also shows that are also possible for 2014, but still in development. The company is also looking for a venue to house the stage adaptation of horror film Let the Right One In, following its run at London’s Royal Court Theatre this Christmas, in addition to trying to secure a West End transfer for Foxfinder, which premiered at the Finborough Theatre in 2011

For Bill Kenwright Limited, there are also a number of musicals for which it hopes to find a London home. It will be launching a tour of Fame in February with plans for a West End transfer, while it is also trying to transfer Regent’s Park Open Air Theatre’s production of The Sound of Music to an indoor venue. There is a possibility that its touring production of Evita, starring Marti Pellow and Madalena Alberto, could transfer into the West End, while there are hopes that the touring production of Cabaret, starring Will Young, could also return to London.

The 14th National Dance Awards Announcement of Nominations

National Dance Awards Critics' CircleThe Dance Section of the Critics’ Circle has announced the list of nominations for the 14th National Dance Awards, to be awarded at a central London venue on 27 January 2014. The National Dance Awards have been organised each year since 2000, celebrating the variety of Britain’s dance culture. They are the only awards given by the body of professional dance critics in the UK.

Grishko are continuing as headline event sponsors as well as sponsoring the Best Female Dancer Award, which is given in memory of Richard Sherrington; Dancing Times will continue its long-running arrangement to sponsor the Best Male Dancer Award and other sponsors continuing for a further year include Stef Stefan, sponsoring both the Outstanding Company and Best Modern Choreography Awards; the Ballet Association for the Best Classical Choreography Award; Lee McLernon for the Outstanding Female Performance (Classical) and the Critics’ Circle. The event will also play host to the De Valois Award for Outstanding Achievement and the Dance UK Industry Award, given in memory of Jane Attenborough, for both of which there are no prior nominations.

It is clear that there is a vast and rich choice for the National Dance Awards, and the results are eagerly anticipated.

DANCING TIMES AWARD FOR BEST MALE DANCER
Dane HURST (RAMBERT)
Vadim MUNTAGIROV (ENGLISH NATIONAL BALLET)
Sergei POLUNIN (MOSCOW STANISLAVSKY BALLET and GUEST ARTIST, THE ROYAL BALLET)
Edward WATSON (THE ROYAL BALLET)

GRISHKO AWARD FOR BEST FEMALE DANCER
Maria KOCHETKOVA (SAN FRANCISCO BALLET)
Natalia OSIPOVA (MIKHAILOVSKY BALLET and GUEST ARTIST, THE ROYAL BALLET & BOLSHOI BALLET)
Olga SMIRNOVA (BOLSHOI BALLET)
Eva YERBABUENA (BALLET FLAMENCO EVA YERBABUENA)

STEF STEFANOU AWARD FOR OUTSTANDING COMPANY
BOSTON BALLET
MIKHAILOVSKY BALLET
ROSAS
SAN FRANCISCO BALLET

BEST CLASSICAL CHOREOGRAPHY
Mark MORRIS (‘BEAUX’ for SAN FRANCISCO BALLET)
David NIXON (‘THE GREAT GATSBY’ for NORTHERN BALLET)
Alexei RATMANSKY (’24 PRELUDES’ for THE ROYAL BALLET)
Christopher WHEELDON (‘AETERNUM’ for THE ROYAL BALLET)

BEST MODERN CHOREOGRAPHY
Guilherme BOTELHO (‘SIDEWAYS RAIN’ for ALIAS)
Matthew BOURNE (‘SLEEPING BEAUTY’ for NEW ADVENTURES)
Sidi Larbi CHERKAOUI (‘PUZ/ZLE’ for EASTMAN)
Russell MALIPHANT (‘FALLEN’ for BalletBoyz® TheTALENT)

OUTSTANDING FEMALE PERFORMANCE (CLASSICAL)
Nancy OSBALDESTON (for The Ballerina in ‘PETRUSHKA’ for ENGLISH NATIONAL BALLET)
Cira ROBINSON (in ‘WAR LETTERS’ for BALLET BLACK)
Akane TAKADA (for Olga in ‘ONEGIN’ for THE ROYAL BALLET)
YUAN YUAN TAN (in ‘RAkU’ for SAN FRANCISCO BALLET)

OUTSTANDING MALE PERFORMANCE (CLASSICAL)
Jeffrey CIRIO (in ‘PLAN TO B’ for BOSTON BALLET)
Israel GALVÁN (for Flamenco Performances at SADLER’S WELLS)
Nicolas LE RICHE (in ‘LE JEUNE HOMME ET LA MORT’ for ENGLISH NATIONAL BALLET)
Brian MALONEY (for Bratfisch in ‘MAYERLING’ for THE ROYAL BALLET)

OUTSTANDING FEMALE PERFORMANCE (MODERN)
Julie CUNNINGHAM (in ‘NEW WORKS 2012’ for MICHAEL CLARK COMPANY)
Rocío MOLINA (in ‘DANZAORA’ at SADLER’S WELLS)
Clemmie SVEAAS (in ‘WITCH-HUNT’ for BERN BALLETT)
Hannah VASSALLO (for Aurora in ‘SLEEPING BEAUTY’ for NEW ADVENTURES)

OUTSTANDING MALE PERFORMANCE (MODERN)
Nathan GOODMAN (in ‘MADCAP’ for RICHARD ALSTON DANCE COMPANY)
Christopher MARNEY (Count Lilac in ‘SLEEPING BEAUTY’ for NEW ADVENTURES)
Liam RIDDICK (in ‘BUZZING ROUND THE HUNISUCCLE’ for RICHARD ALSTON DANCE COMPANY)
Paul WHITE (in ‘THE ORACLE’ for MERYL TANKARD)

BEST INDEPENDENT COMPANY
bGROUP
BalletBoyz® The TALENT
NEW MOVEMENT COLLECTIVE
SHOBANA JEYASINGH DANCE

Sadler’s Wells’ ten year plan

Sadler's Wells LogoThe UK’s largest dance house, Sadler’s Wells, has announced plans for a new performance space as part of its recent ten year plan. The vision of Artistic Director and Chief Executive, Alistair Spalding, is one which is ambitious, but exciting for a city in which dance thrives. The announcement came almost ten years after he was appointed in his current role, and outlines plans for the next decade.

The main crux of the plans is to establish an additional, fourth performance space for Sadler’s as one of the world’s leading dance organisations, with the expansion backed by a commitment to invest £5 million in commissioning new dance works. The new venue will house 500 seats in order to present new, mid-scale contemporary work in addition to the main dance house and the smaller Lilian Baylis studio theatre. London is lacking in a space of this kind, and it is hoped that the building of one will help confirm London’s position as a global centre for the art form.

Despite the fact Sadler’s Wells is a dance powerhouse, the demand for dance in the capital is continuing to grow, meaning the gap for a mid-scale space must be filled. Spalding believes the new building will give creative talent a proper chance to develop for the future growth of the art form by expanding the current base and without losing the unique quality and atmosphere that is associated with Sadler’s Wells.

As a rule Sadler’s has been transformed from a receiving venue for other companies’ productions to a venue that is celebrated for supporting, commissioning and producing original, new work which it presents nationally and internationally. The dance house aims to present the busiest season of dance ever in the theatre’s 331-year history, with a total of over 40 shows across the three venues during spring/summer 2014.

English National Ballet School Celebrates 25 Years

English National Ballet School2013 marks the 25th anniversary of English National Ballet School, to be celebrated by a series of events which showcase the skills and talents of the students. The events will kick off with a 90 minute live broadcast from the School on 28 November, during which audiences will have a unique insight into a day in the life of the students. Also included in the broadcast will be an interview with Tamara Rojo, Artistic Director of English National Ballet, with the School being a common feeder for the main company.

As the official School of English National Ballet, the School and the Company continue to work together. The 2012 launch of the ‘My First…’ series of ballets created for children has seen the students appear in principal roles, a great taster of what is required and what may be to come. By inspiring a new generation of young dancers, My First is making ballet accessible for very young children: over 100,000 children and their families nationwide have watched the first two productions.

The School was founded in 1988 by Peter Schaufuss, Artistic Director of London Festival Ballet (renamed English National Ballet in 1989), with just twelve students. His ambition was to produce dancers trained in the Company’s unique style: the School proved successful. Today, the School operates in the same way, with a student body of just 35 young dancers. Currently a third of the English National Ballet dancers are graduates of the School ranking from Corps de Ballet up to Principal dancers, having graduated from the 3 year diploma in Professional dance accredited by Trinity College, London. 55% of the current first year students are home grown British talent and a strong employment record is maintained, with many graduated students now working in major ballet companies worldwide.

The Royal Opera House Ballet Series

The Royal BalletThe Royal Ballet has recently hit cinemas all over America and is continuing to do! Select cinemas throughout the United States will present the 2013 ‘Royal Opera House Ballet Series,’ featuring 3, one-night-only screenings of the new Don Quixote staged by and starring Carlos Acosta, Christopher Wheeldon’s Alice’s Adventures in Wonderland, and Peter Wright’s classic production of The Nutcracker. High definition cameras are used to film the performances, which provide multiple points of view including close-ups and wide shots with a Royal Opera House production truck transmitting the live feed via satellite to the US.

Don Quixote

Inspired by the adventures of Cervantes’ bumbling knight, Don Quixote tells the tale of Kitri (danced by Marianela Nuñez), her sweetheart the barber Basilio (danced by Carlos Acosta), and their adventures as they attempt to avoid Kitty’s father Lorenzo’s attempts to marry her off to the rich Gamache.

Alice’s Adventures in Wonderland

Pre-recorded in April 2013 and starring Sarah Lamb, Alice encounters out of the ordinary characters down the rabbit hole, including the Queen of Hearts, who performs her own version of the Rose Adagio from The Sleeping Beauty, to dancing playing cards and a tap-dancing Mad Hatter.

The Nutcracker

The Nutcracker is an essential part of Christmas for audiences everywhere, despite the many versions available. The classic tale is suitable for all ages and loved by many. Originally seen at the Royal Opera House in Covent Garden in 1984, this production by Peter Wright is grand with elaborate costumes, a large cast, and one awe-inspiring Christmas tree.

The Achilles Heel

Achilles HeelHistorically, the term ‘Achilles Heel’ referred to the greatest weakness of an individual: Achilles was a figure of Greek Mythology, a hero of the Trojan War killed by a small injury to his heel. Today, following this tale, the Achilles is the small tendon connecting the calf muscle to the heel bone. The tendon is still a weakness for many dancers, most notable recently was the snapping of the tendon of a Bolshoi dancer during a performance. This was a result of tendonosis, a chronic and more serious condition where bouts of tendonitis are not treated properly or the dancer does not take adequate time to rest.

The job of the elastic structures of tendons at the end of each muscle is to connect muscles to bones. However, dancing places stress on the Achilles tendon and Achilles tendonitis occurs when the tendon becomes inflamed due to overuse, excessive pronation, bowlegs, tight or short Achilles tendons, or abnormally shaped heel bones. Without correct technique, dancers increase their likelihood of developing Achilles tendonitis, making it imperative that dancers maintain their technique and do not develop bad habits. Forcing turnout, failing to press the heels into the ground in landing from jumps and failing to rise to a full three quarter pointe also puts dancers at further risk.

Achilles tendonitis can be prevented by ensuring you are not forcing the feet further outwards in turnout and landing properly from jumps. Make sure shoes and ribbons are not too tight across the tendon and try to avoid using hard, unsprung floors, raked stages, or dancing in cold temperatures. If Achilles tendonitis does occur, it can be resolved through proper treatment including rest, ice, strapping the tendon up and anti-inflammatory tablets, and taking additional steps to ensure it does not return. By making sure you are warmed up, tendons are less likely to become inflammed and injured under repeated stress.

Resolution! Review: Calling Dance Writers

The PlaceThe Place is once again opening it’s annual Resolution! festival up to reviewers who wish to be partnered by a professional critic and pass judgment on some of the UK’s most promising new dance companies. The Place has engaged with audiences and participants, championed the best ideas, and created inspiring conditions for artists and enthusiasts to realise their potential for over forty years, including that of Resolution!. Combining London Contemporary Dance School, Richard Alston Dance Company and the Robin Howard Dance Theatre, together with pioneering learning, teaching, outreach, recreation and professional development projects The Place champions contemporary dance in particular, and all its strands.

The Place’s approaches to participation, education, creation and performance inform each other, respond to today’s world, and embrace risks to build on the achievements of dance history and to transform and enrich lives. By shaping where dance is going next The Place offers a multitude of opportunities to see new dance, take part in something new or join discussions about key concepts and critical issues for the world of dance today. In particular, Resolution! has become one of the biggest dance festivals in the UK, showcasing new works by emerging choreographers each year at The Place running from Tuesday 14 January to Saturday 15 February 2014.

As a result, Resolution! Review is an online platform covering the entire festival. Supported by a team of national newspaper critics, who are paired with a team of young writers, mentored by the professional dance critics. Each show is reviewed by both and each review is promoted by The Place, who are now on the lookout for reviewers for Resolution! 2014. The festival does not require technical dance experts, just excellent writers who can communicate responses honestly and in an engaging fashion. The successful applicants will have access to seminars providing opportunities to ask questions around current working practices.