Anne Teresa De Keersmaeker’s world-renowned dance company Rosas will return to Sadler’s Wells with her iconic piece, Rain. The Sadler’s Wells International Associate Company will perform the piece live with contemporary music ensemble Ictus in London on 13–14 June. Rain originally premiered in 2001, and this production is a Sadler’s Wells co-production with De Munt / La Monnaie (Brussel/Bruxelles) and Les Théâtres de la Ville de Luxembourg. Continue reading Anne Teresa De Keersmaeker’s Rosas
Tamara Rojo CBE, Artistic Director of English National Ballet, announced last month that Cesar Corrales was to become a Principal of English National Ballet from the start of the 2017/2018 season. Having joined English National Ballet as Artist of the Company in 2014, Corrales was promoted to Junior Soloist in 2015, and to First Soloist in 2016. At just 20 years old, Corrales will become English National Ballet’s youngest principal.
Evangelia Kolyra is a Greek born, London-based artist and performer. Working within the choreographic realm, her work takes place within theatre spaces, site-specific, film and installation contexts and spans dance, theatre and performance art to explore the performative state. Through her physically demanding choreography, Evangelia’s work bridges contemporary dance and the contemporary visual arts, incorporating the unexpected, humorous and sometimes dark sides to the psychology of human experience.
Birmingham Royal Ballet, in association with Sadler’s Wells, is set to launch a world class ballet development programme in 2017, in order to nurture talent currently on stage. The two organisations are joining forces for a major new concept for classical choreographers, in the form of a five-year programme of professional development, with two commissions made each year. Ballet Now will support a total of six artists per year, with one choreographer, composer and designer per commission.
Now in its eighth year, English National Ballet’s Emerging Dancer competition will be held at Sadler’s Wells for the first time on Thursday (25th May 2017). Selected annually by their peers, six of the company’s most promising dancers perform at the event in front of an eminent panel of expert judges, before one receives the 2017 Emerging Dancer Award. Also revealed on the night will be the recipients of the People’s Choice Award as selected by members of the public, and the Corps de Ballet Award, acknowledging the work on and off-stage of a member of the Corps de Ballet.
Jose Agudo launched his company, Agudo Dance Company, with the world premiere of his new work Silk Road in the Lilian Baylis Studio at Sadler’s Wells in early May.
Showcasing male strength, beauty and diversity at its best is Ivan Putrov’s new Men in Motion programme at London Coliseum. Recently announced was the news of Irek Mukhamedov joining the proceedings, alongside dancers such as Matthew Ball, Daniel Proietto and Edward Watson, performing choreography from Fokine and Nijinsky to Maliphant and Pita.
Natalie Nicole James is a movement and circus artist. From 2012-2015, Natalie studied at the National Centre for Circus Arts; she received a full scholarship to train and specialise in dance-trapeze, graduating with a BA Honours. After working with Impact Dance Company and Sean Graham Dance Theatre, Natalie began a performance career as a soloist exploring her own artistic voice whilst performing as part of the Beijing Olympics Torch ceremony.
Three emerging dance artists from Leeds and Manchester will perform a triple bill at the Riley Theatre on 27 April, as part of the Arts Council-funded programme Northern Connections. Chapeltown’s Akeim Buck, Leeds’ Daniel Phung and Sheffield’s Keira Martin will perform dance pieces in a bid to demonstrate, nurture and retain talent in the north of England. Now in its second year, Northern Connections has partnered with Spin Arts and Yorkshire Dance to make this professional development opportunity possible.
Aesop’s Dance to Health pilot programme has found dancers can be trained to deliver artistic, evidence-based healthcare programmes. It also found reductions in loneliness for participants, and therefore suggests similar arts in health programmes could become sustainable funding streams for arts organisations, as Dance to Health clearly demonstrated the positive outcomes and the lower overall costs of managing falls compared to the primary prevention programme.