Irek Mukhamedov joins Ivan Putrov’s new Men in Motion

Showcasing male strength, beauty and diversity at its best is Ivan Putrov’s new Men in Motion programme at London Coliseum. Recently announced was the news of Irek Mukhamedov joining the proceedings, alongside dancers such as Matthew Ball, Daniel Proietto and Edward Watson, performing choreography from Fokine and Nijinsky to Maliphant and Pita.

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Anne Teresa De Keersmaeker’s Rosas

Anne Teresa De Keersmaeker’s world-renowned dance company Rosas will return to Sadler’s Wells with her iconic piece, Rain. The Sadler’s Wells International Associate Company will perform the piece live with contemporary music ensemble Ictus in London on 13–14 June. Rain originally premiered in 2001, and this production is a Sadler’s Wells co-production with De Munt / La Monnaie (Brussel/Bruxelles) and Les Théâtres de la Ville de Luxembourg. Continue reading Anne Teresa De Keersmaeker’s Rosas

Natalie James – make anything work

Natalie Nicole James is a movement and circus artist. From 2012-2015, Natalie studied at the National Centre for Circus Arts; she received a full scholarship to train and specialise in dance-trapeze, graduating with a BA Honours. After working with Impact Dance Company and Sean Graham Dance Theatre, Natalie began a performance career as a soloist exploring her own artistic voice whilst performing as part of the Beijing Olympics Torch ceremony.

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Northern Connections at the Riley Theatre

Three emerging dance artists from Leeds and Manchester will perform a triple bill at the Riley Theatre on 27 April, as part of the Arts Council-funded programme Northern Connections. Chapeltown’s Akeim Buck, Leeds’ Daniel Phung and Sheffield’s Keira Martin will perform dance pieces in a bid to demonstrate, nurture and retain talent in the north of England. Now in its second year, Northern Connections has partnered with Spin Arts and Yorkshire Dance to make this professional development opportunity possible.

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Dance to Health

Aesop’s Dance to Health pilot programme has found dancers can be trained to deliver artistic, evidence-based healthcare programmes. It also found reductions in loneliness for participants, and therefore suggests similar arts in health programmes could become sustainable funding streams for arts organisations, as Dance to Health clearly demonstrated the positive outcomes and the lower overall costs of managing falls compared to the primary prevention programme.

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The Flamenco Edition

Following successful tours in 2015 and 2016, Flamenco Edition returns in 2017 with the Ana Morales Flamenco Company. Touring to more venues than ever before and following the success of previous tours – Jesus Fernandez in 2015 and Olga Pericet in 2016 – Flamenco Edition 2017 presents Ana Morales Flamenco Company in Reunión – a brand new show for the UK, touring to Newcastle, Birmingham, Derby, Nottingham and Bournemouth between 9–17 May.

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Melbourne Ballet Company’s ten year anniversary

Melbourne Ballet Company marked its ten year anniversary this month with a contemporary ballet performance presented in Sydney. Choreographed by company director Simon Hoy with Tim Podesta and Lucas Jervies, the three choreographers took inspiration from German philosopher Heidegger and his views on existentialism, as well as their own behaviours and emotions. Sydney also saw Mara Galeazzi (former Principal with The Royal Ballet) and Joseph Phillips (formerly with American Ballet Theatre) perform. Melbourne Ballet Company’s 10th anniversary year will also see the company tour Australia and New Zealand.  Continue reading Melbourne Ballet Company’s ten year anniversary

Data-driven dancers’ health

The Royal Ballet has recently committed itself to sharing its knowledge in caring for dancers, by partnering with the National Institute of Dance Medicine and Science. It’s support of the National Institute of Dance Medicine and Science means that one of its research projects that aims to gather injury and fitness data from dancers at the UK’s major companies and schools can move forward, in a data-driven approach to dancers’ health.

The project hopes to improve care for dancers’ health and wellbeing through this research, and as a result of the partnership The Royal Ballet will share learning from its system that uses specialist digital technology to track dancers’ injuries, health and day-to-day training, which it uses to inform its injury prevention strategies. As they work together it is hoped that the dance industry will better understand the vast breadth and depth of ‘injury’ across the wider dance sector. It is deemed as essential for the development of the industry.

The partnership between the ballet company and the National Institute of Dance Medicine and Science will strengthen the valuable work already done in this area, and will go on to further support the physical and psychological health and wellbeing of dancers around the world. The work has been welcomed by the founding partners of the National Institute of Dance Medicine and Science, including One Dance UK and Birmingham Royal Ballet’s Jerwood Centre for the Prevention and Treatment of Dance Injuries. The centre has already begun to align its injury surveillance methods with the Royal Ballet.

The National Institute of Dance Medicine and Science was founded in 2012 to share dance science expertise and provide information, guidance and access to healthcare services. Its other partners include the Royal National Orthopaedic Hospital, Trinity Laban Conservatoire of Music and Dance, the University of Birmingham and the University of Wolverhampton.