Anne Teresa De Keersmaeker’s world-renowned dance company Rosas will return to Sadler’s Wells with her iconic piece, Rain. The Sadler’s Wells International Associate Company will perform the piece live with contemporary music ensemble Ictus in London on 13–14 June. Rain originally premiered in 2001, and this production is a Sadler’s Wells co-production with De Munt / La Monnaie (Brussel/Bruxelles) and Les Théâtres de la Ville de Luxembourg. Continue reading Anne Teresa De Keersmaeker’s Rosas
Melbourne Ballet Company marked its ten year anniversary this month with a contemporary ballet performance presented in Sydney. Choreographed by company director Simon Hoy with Tim Podesta and Lucas Jervies, the three choreographers took inspiration from German philosopher Heidegger and his views on existentialism, as well as their own behaviours and emotions. Sydney also saw Mara Galeazzi (former Principal with The Royal Ballet) and Joseph Phillips (formerly with American Ballet Theatre) perform. Melbourne Ballet Company’s 10th anniversary year will also see the company tour Australia and New Zealand. Continue reading Melbourne Ballet Company’s ten year anniversary
Training: Laine Theatre Arts (Graduated 2016, Distinction)
Theatre whilst training: ‘Mike’ in A Chorus Line; ‘Jojo’ in Seussical [LTA]
Theatre includes: Peter Pan [SECC Arena, Glasgow]; Cinderella [Grand Theatre, Wolverhampton]; Wicked International Tour
TV includes: The People’s Strictly [BBC Comic Relief]
The Royal Ballet has recently committed itself to sharing its knowledge in caring for dancers, by partnering with the National Institute of Dance Medicine and Science. It’s support of the National Institute of Dance Medicine and Science means that one of its research projects that aims to gather injury and fitness data from dancers at the UK’s major companies and schools can move forward, in a data-driven approach to dancers’ health.
The project hopes to improve care for dancers’ health and wellbeing through this research, and as a result of the partnership The Royal Ballet will share learning from its system that uses specialist digital technology to track dancers’ injuries, health and day-to-day training, which it uses to inform its injury prevention strategies. As they work together it is hoped that the dance industry will better understand the vast breadth and depth of ‘injury’ across the wider dance sector. It is deemed as essential for the development of the industry.
The partnership between the ballet company and the National Institute of Dance Medicine and Science will strengthen the valuable work already done in this area, and will go on to further support the physical and psychological health and wellbeing of dancers around the world. The work has been welcomed by the founding partners of the National Institute of Dance Medicine and Science, including One Dance UK and Birmingham Royal Ballet’s Jerwood Centre for the Prevention and Treatment of Dance Injuries. The centre has already begun to align its injury surveillance methods with the Royal Ballet.
The National Institute of Dance Medicine and Science was founded in 2012 to share dance science expertise and provide information, guidance and access to healthcare services. Its other partners include the Royal National Orthopaedic Hospital, Trinity Laban Conservatoire of Music and Dance, the University of Birmingham and the University of Wolverhampton.