Ticket Mania

Theatre TicketsTheatre tickets are, quite simply, difficult to come by. Gone are the days when a member of the audience went to the box office in person and bought a ticket, used a ticket agency or even called the theatre to make a reservation, then sent a cheque or postal order by mail.

Today, online booking has become a fast and effective means of buying tickets for productions all over the world, but even this method of securing tickets to a show is not guaranteed, with tickets reaching extortionate prices, or being snapped up by those with theatre memberships before the tickets have chance to reach the general public.

Even ticket touts and supposed half-price ticket booths which flood the West End Theatreland of London often have little to no availability of tickets for big hits and equally popular shows, with many selling out weeks in advance. Book of Mormon, for example, is already booking until January 2014 and must be booked months before the date the audience wishes to see the show.

It has also become evident that unofficial ticket vendors have been able to offer tickets for many times their original cost, such as like offering a pair of tickets outside the Gielgud, where Helen Mirren is starring in The Audience, for £500 a pair. However, it may be that the demand outweighs the ethics, with only those able to afford the tickets able to see the shows too. Many audience members are unable to afford tickets of prices such as these, and therefore will be unable to see the production.

However supply is limited to the number of seats a theatre has to sell and for hot new shows, more tickets cannot be printed, just released for sale further ahead. Ticket buying has become complex, full of choices and requires skill in navigating around the many apparent discounts, booking fees and obstacles even before the journey to the theatre, with many desperate audience members prepared to pay almost any price.

Theatreland Cinema

Digital Theatre & CinemaLiveSimilar to many ballet productions that have recently been screened in cinemas, it will be possible in the future to catch up with your favourite West End shows with a bucket of popcorn. Digital Theatre, which makes filmed theatre productions available for download online, and CinemaLive have paired up to screen some of the best of British theatre in UK cinemas, both new works and those from theatrical archives.

Digital Theatre has partnered with film producers CinemaLive and will present its first series of screenings in September 2013. No titles have been annoucned yet for the screening programme, but the focus will be primarily on West End productions, including David Tennant and Catherine Tate in Much Ado About Nothing and David Suchet and Zoe Wanamaker in Arthur Miller’s All My Sons. In turn this will presumably make West End productions more accessible to larger audiences, however this may also decrease their unique exclusivity, and the singular experience of taking in a production in the heart of Theatreland. Despite this, opening up West End productions to other audiences may also increase revenue for theatres in inspiring audiences to see other and alternative productions that they may first have seen in the cinema.

Since the launch of National Theatre Live in 2009, theatre has had an increasingly regular presence in cinemas. In June 2013, NT Live will broadcast its first West End production, The Audience which stars Helen Mirren, following the lead of Graham McLaren’s production of Great Expectations, which was live-broadcasted its opening night around the UK. This took around £80,000 at the box office, emphasising the decline (or perhaps increase) of audiences visiting West End theatres, but ultimately expanding the possibilities by offering audiences another chance to catch past productions they might have missed.

Founded by Robert Delamere and Tom Shaw in 2009, Digital Theatre now hosts productions from some of the UK’s largest theatres, including the Royal Court, the Royal Shakespeare Company Shakespeare’s Globe and the Almeida theatre.

Thriller Live’s Extension

Thriller LiveAlmost four years after his sudden death in 2009, the popular musical spectacular based on the hits of King of Pop Michael Jackson Thriller Live is set to carry on singing and dancing into 2014. Full of moon-walking, white gloves and grabbing of crotches, the musical has received a new extension to its run at the Lyric Theatre in London’s West End.

The show opened in January 2009, and is currently taking bookings until 16 March 2014. As a musical each performance showcases the iconic songs and fantastic, and equally iconic, dancing of the Michael Jackson legend and legacy, re-writing the rules of dance and consequently increasing its popularity.

In huge contrast to some of the story-telling book-based musicals that are also currently playing in the capital, Thriller Live conveys lots of high energy dance, eye-popping graphics, videos and songs in order to take audiences on a journey through the career and music of Jackson. The production is also regularly updated to keep the performances and the performers fresh, and has recently added an exciting new opening which some of its first audience members may not have seen. The show is now in its fifth year of existence and is an incredibly heart-warming experience for all those involved, making the musical very popular.

As a result of the announcement of the show’s extension, Thriller Live will be closing in on the record of the longest running show in the Lyric theatre’s 125-year history. The record is currently held by Five Guys Named Moe, which ran at the venue in the West End from December 1990 to March 1995.

The 42nd Street Gala

42nd Street

100 of the best UK tappers – including So You Think You Can Dance winner Matt Flint – joined forces for a spectacular Gala performance in aid of the Caron Keating Foundation. The Caron Keating Foundation is a fund raising charity set up by Gloria Hunniford and her sons Paul and Michael in order to aid many cancer charities across the UK. The charity gala performance of the Broadway musical 42nd Street was held at the London Palladium on 17 March in aid of the Foundation. 

250 people both on and off stage gave up their time and services for free in order to generously to produce an uplifting and exciting evening. 100 dancers donning their tap shoes and tights, including part of the original 42nd Street production in Drury Lane in the 1980’s, gave some exciting performances which brought many standing ovations.

Also on stage were many well known names which included Brian Conley, Gary Wilmot, Summer Strallen, Gok Wan, Russell Grant, Gabby Roslin, Angela Rippon, Wayne Sleep, Louis Spence, Arlene Philips, Vanessa Feltz and many more, much to the delight of the audience. More bedazzling talent also appeared in the form of So You Think You Can Dance winner Matt Flint, a former pupil of Laine Theatre Arts, who choreographed several numbers for the show.

Next for the Caron Keating Foundation is the Night of 1000 Stars which is to be held at the Royal Albert Hall in May. This will be to celebrate Harold Prince, who some may argue is the King of Broadway, and his multi award-winning shows. Songs from West Side Story, Phantom of the Opera, Fiddler on the Roof, A Little Night Music, Sweeny Todd, Cabaret, She Loves Me and stars from both sides of the Atlantic will be included.

Image courtesy of Wikimedia Commons.

Singin’ In The Rain Set To Tour

Singing In The Rain

If you are busy this spring planning your summer theatre outings to London’s West End then make Singin’ in the Rain one show near the top of your list.

It has been announced that the West End show, on par with its 1952 MGM version of the musical, is set to close in August 2013. This will be ahead of a national tour of an all-singing, all-dancing troupe – complete with umbrellas – around the country in 2014, closing with a run in Chichester where the show originally played in July 2011. The UK-wide tour is understood to start in November 2013, with a proposed opening in Manchester after spending just eighteen months at the Palace Theatre in London.

2012/13 has already seen many productions join and leave the West End in quick succession, making theatre turnarounds very quick, with only just enough time to settle the tan tights and tap shoes before having to move on again. However, touring productions give theatre fanatics in other parts of the country, without the chance to journey to London to see huge shows such as Singin’ in the Rain, the opportunity to feast their eyes on an array of talent. Touring companies also provide many performing jobs for those who may struggle to secure roles in London, but who have no trouble taking to the road, performing whilst travelling.

The musical is directed by Jonathan Church, artistic director at Chichester Festival Theatre, and has choreography by Andrew Wright, who recently ‘Best Choreographer’ at the Whatsonstage Awards. Adam Cooper is currently playing Don Lockwood in the show, a role he has played since the production opened in Chichester, with Jennifer Ellison recently joining the cast as Lina Lamont.

The 2013 Theatre Scene

London's West End Theatre Scene

With a number of new productions hitting the stages of the West End in 2013, casting for roles has reached new appendages. Social media has been utilised more and more recently in order for performers to advertise their skills, recent work and aspirations, making the casting process for directors both easier and harder.

With all this toe-tapping talent on display, it may be easy to imagine that there is a lot of information to compare at the push of a few buttons. However, using social media in order to have an idea of casting for a new production may also mean that less and less talent is promoted, and more so an idealised version of the performer angling for work. Despite this, it is clear that social media platforms such as Twitter and YouTube are extremely useful in communicating messages about roles, rehearsal processes, and reviews, for example, but may not be as useful for other aspects of the production process.

The recently released cast list for the leg-warmer and leotard wearing A Chorus Line is just one of those emerging in 2013. The Broadway classic which is returning to the West End for the first time since it was first staged at the Theatre Royal, Drury Lane, shouts three leading ladies: Scarlett Strallen as Cassie, Leigh Zimmerman as Sheila, and Victoria Hamilton-Barritt as Diana. Other entries for 2013 are Book of Mormon, Dear World, Charlie and the Chocolate Factory and tours such as The Full Monty, Priscilla Queen of the Desert, Ghost and Wicked.

If the musical theatre scene was not enough to entice audiences, other names which will be appearing on London stages throughout 2013 are Dame Judi Dench, Helen Mirrren, Daniel Radcliffe, Jude Law, Rupert Everett, Felicity Kendal, Vanessa Redgrave, James McAvoy, Rowan Atkinson, Lee Evans, Zoe Wanamaker, and Sheila Hancock.

Image courtesy of Wikipedia.

Diversity in 2013

Diversity Limitless

Dance troupe Diversity has announced a new touring show for 2013 – Diversity Limitless – which will be a 12 day UK tour taking place across three weeks in December next year. Diversity announced the news just a few days after their Royal Variety performance, with the tour following on from the release of their previous arena tour show on DVD, Diversity Digitized: Trapped In A Game.

There is currently nothing else known about the show Diversity Limitless, created by dance crew leader Ashley Banjo,  with other details about the show’s storyline yet to be revealed. However, dance fans and street dance fans everywhere should be confident that the show will be full of the crew’s charm and cheek, with some up-to-the-minute urban dancewear and tasty trainers thrown in to add to the flavour.

Since winning the popular TV show Britain’s Got Talent in 2009, Diversity went on to star in the film Street Dance 3D as a cameo appearance. Banjo was then recruited as a judge for Got to Dance on Sky1 and the group went on to release Diversity: Dance Fitness Fusion on DVD. Ahead of the crew’s Diversity: Digitized arena tour, Banjo also filmed a spin off Ashley Banjo’s Secret Street Crew. In addition to their hard work to date, a Diversity film has also been announced named Diversity Rise, set to be filmed in April 2013.

The show will be touring to:

  • Dublin O2 Arena (30 November),
  • Newcastle Metro Radio Arena (3 December),
  • Liverpool Echo Arena (4 December),
  • Nottingham capital FM Arena (6 December),
  • Bournemouth BIC (7 December),
  • Birmingham NIA (8 December),
  • Glasgow Hydro Arena (10 December),
  • Manchester Arena (11 December),
  • Sheffield Motorpoint Arena (12 December),
  • Cardiff Motorpoint Arena (14 December),
  • Brighton Centre (15 December),
  • London O2 Arena (16 December).