Dance Umbrella’s Artistic Director to Step Down

Dance Umbrella

Betsy Gregory, Artistic Director of Dance Umbrella, has announced that she will be standing down from the post next autumn in 2013, at the conclusion of the 35th Dance Umbrella  festival. By the time she leaves the leotards, leg warmers and array of coloured costumes behind her of previous festivals, Gregory will have completed sixteen years at Dance Umbrella, seven of them as Artistic Director.

The 2012 festival marked a major shift for Dance Umbrella, both artistically and organisationally. There were many firsts: it was the first time the festival programme was co-curated, the first time the festival was devoted to investigating a very particular ‘slice’ of what dance makers are doing right now, and the first time the festival has taken place almost entirely in a single venue, the new Platform Theatre at UAL’s Central Saint Martins College of Arts and Design. Houses were full and feedback from the audience was overwhelmingly positive.

Since Greogory’s appointment in 2007, the Dance Umbrella Board and team have successfully navigated the organisation through a major transition in which the team have introduced many new strands of activity. These include free, outdoor performances, large-scale participatory projects of an unusually high artistic quality and the presentation of new work from under represented areas of the world, such as Africa.

The 2013 festival will continue Dance Umbrella’s innovation: bringing the new and developing audiences and the art form.2013 the team will return to a more expansive festival format, working with multiple partners across the city to present new work and collaborate on unique projects which would not happen otherwise. Over the next year, with the support of the Board and the Arts Council, Gregory will work to ensure that Dance Umbrella is in the strongest possible position to continue its work into the future, under the leadership of a new Artistic Director.

Image courtesy of Dance Umbrella.

The Launch of the Female Choreographers’ Collective

Female Choreographers' Collective

Holly Noble and Jane Coulston, both professional dancers and choreographers, recently asked the question: where are all the female choreographers? In recent years it has been a recurring topic of discussion in modern dance as an industry that is predominately female and as an art form particularly pioneered by women, such as Isadora Duncan, Doris Humphrey, Martha Graham and Twyla Tharp, let alone the rest of the dance sector. In a bid to answer this, be it choreographers of pointe shoe and tutu, leotard and leggings or any other dancewear background, the pair have launched the Female Choreographers’ Collective, an organisation that is looking to reverse the apparent skewing of opportunities toward male dance makers.

Noble and Coulston are making a stand in response to the dwindling number of female choreographers receiving regular funding or support in the same league as their male counterparts through the FCC, with the sole purpose and mission of the collective to support, encourage and spearhead work created by female choreographers across the UK. They are aiming to contact all female choreographers in the UK and organise forums, networking opportunities and platforms to showcase the abundance of female talent currently creating work.

In addition to their championing of the female dance artist population, the pair are also committed to investigating the reasons behind the inequality, calling on all female choreographers that are interested in highlighting this issue to share their experiences being a female choreographer in the dance industry today. The issue has been discussed over the last few years, with Dance Umbrella hosting a forum on the topic in 2009. In this heated debate everything from childcare to sexualisation and ego of the male choreographer were thrown into the arena. Whilst Noble and Coulston currently only have theories, they hope the FCC will provide clear answers on the shift with the support of female choreographers in order to provide female choreographers with the opportunity to stand alongside their male peers and gain higher profile choreographic commissions and opportunities.

The FCC will support female choreographers of all genres, whether they are just starting out on their creative journey or are fully established choreographers, having presenting an FCC women’s choreographic platform on 13 October 2012 to offer a platform for female choreographers and to celebrate the FCC launch. The pair are aiming to run a women’s platform regularly, for example three times a year or more.

Holly Noble

Holly trained at The Arts Educational School in Tring and at Laban Conservatoire in Greenwich specialising in Ballet and Contemporary. She has had a diverse career in Theatre, TV and Film working as a freelance dancer, choreographer, actor and teacher. As a dancer she has worked with various choreographers such as Ashley Wallen, Lynne Page and Michael Voss.

Holly is founder and Artistic Director of A.D. Dance Company, a neoclassical touring company of eight dancers. Alongside this Holly Directs and Produces ‘Platform A.D’.

Holly has most recently joined English National Ballet as an Associate Dance Artist and has been appointed as Artistic Director for English National Ballet Youth Company.

Jane Coulston

Jane Coulston in is the Director Choreographer of Beyond Repair Dance, a contemporary dance company.

After finishing her training at Laban Jane worked internationally as a dancer and choreographer, working and studying further in New York. Working with the New Amsterdam Dance Theatre, Stagedoor Theatre Arts and various dance theatre companies in the USA. This work included off Broadway productions and work with the American academy of film London.

Dance Umbrella 2012

Dance UmbrellaIn October this year, Dance Umbrella will present a very different festival than is usually presented, co-curated by Artistic Director Betsy Gregory and choreographer Jonathan Burrows. Dance Umbrella 2012 will run from 5 to 14 October, presented in the Platform Theatre at the new Central Saint Martin’s College of Art and Design in King’s Cross, in addition to two site-specific works in the surrounding area.

Dance Umbrella has been bringing new dance to London since 1978, inspired by the dynamism of the city of London, bringing together artists and events, from ballet shoes, to jazz shoes, to leotards, to foot thongs. Each year, Dance Umbrella succeeds in surprising and thrilling its audiences, once presented in numerous venues all over London, and for 2012 settling in one main venue in the centre of the city. Dance Umbrella champions itself in commissioning, producing and presenting dance events, staging one of the world’s leading international dance festivals.

Dance Umbrella prides itself on the dance experiences it provides for its audiences by presenting a range of affordable and free-to-view events in unusual spaces. The team involved also aims to identify, nurture, support and showcase the most exciting talent in new dance, offering artists the benefits of long-term relationships and identifying the most appropriate platform for the work programmed.

As an accessible, flexible organisation with an incredibly international outlook, Dance Umbrella is committed to collaborating and creating new partnerships in presenting the highest quality new dance, trends and aspirations through performances and participatory opportunities. Just last year Dance Umbrella programmed the world-renowned Merce Cunningham Dance Company as part of their final world tour before the company disbanded on New Year’s Eve 2011.

For 2012, Dance Umbrella will be presenting much new dance, including a Mary Wigman dance evening, Wendy Houstoun’s 50 Acts and Noé Soulier… a programme not to be missed.

Image courtesy of Dance Umbrella.