Rambert’s Evening Of New Choreography

Rambert Dance Company LogoRambert’s Evening Of New Choreography comes soon after its opening of its new premises on London’s south bank, to be held at the Lilian Baylis Studio on 17 and 18 December 2013, 7.45pm. The event is one much anticipated in the dancing calendar, enabling Rambert’s dancers to present the latest offering of new work from them. The Evening is an opportunity to see a new generation of emerging choreographic talent and will feature new works created by Malgorzata Dzierzon, Dane Hurst, Estela Merlos, Mbulelo Ndabeni and Patricia Okenwa, accompanied by the Rambert Orchestra.

Rambert has nurtured generations of choreographers who have gone on to enjoy long-standing and influential careers. They include Rambert’s current artistic director Mark Baldwin and such other notable names as Christopher Bruce, Michael Clark and Rafael Bonachela. It is fitting that the 2013 programme is comprised of the first works to have been made in the studios at Rambert’s new home.

Reminisence from Dane Hurst sees his continued collaboration with award-winning jazz composer Tommy Evans. Here he addresses ideas of cherished memory, failed romance, violent passion and solitude.

Hikikomori, the phenomenon of reclusive young adults withdrawn from social life, is the provocation for Malgorzata Dzierzon’s work about the impact of cyberspace on human relationships. Rambert Music Fellow Kate Whitley has composed a string quartet for the piece – her first commission since taking up post.

Mbulelo Ndabeni offers an exploration of the female spirit. Inspired by his South African roots, this work will be performed to a driving percussive score by Rob Millett.

Entre tú y yo is Estella Merlos’s portrayal of obsession and confrontation within the illusory sense of self, accompanied by an electronic and baroque score featuring Fennesz, Monsieur de Sainte-Colombe and Plastikman.

Patricia Okenwa’s collaboration with dancer Antonette Dayritt sends her on a personal quest to uncover a dance near the edge of her ability. Set to music by Geoff and James Holroyde that takes Lockgroove records and experimental jazz as a starting point for a unique score.

World Tutu Day

World Tutu Day 2014The Australian Ballet School has introduced a new fundraising initiative called World Tutu Day, which will utilise an online fundraising platform allowing ballet lovers from all walks of life to create their own fundraising pages. Through integration on social networking sites, fundraisers will be able to gather supporters and spread the World Tutu Day message. The School hopes that in the future the concept will spread to the best ballet schools around the world, giving peers a great way to raise funds. As a result, World Tutu Day will fulfil its ultimate goal of supporting ballet education internationally.

The Australian Ballet School is Australia’s national centre for elite vocational classical dance and the school of The Australian Ballet. As part of the commitment to the future of ballet, the exciting new initiative will begin as an annual fundraising event in support of The Australian Ballet School. Funds raised by World Tutu Day will enable the School to maximise its accessibility to talented students by providing scholarships and bursaries to those in need. It will also benefit all students by supporting the School’s health and welfare programmes.

The first World Tutu Day will be held on Tu Tu 2014 (2nd of February 2014) but those involved can start raising funds now and then celebrate in style by holding an event on the day. Those who like to keep it simple can also lend their support by donating online or by purchasing a Tutu Band or Tutu T-shirt. The scheme looks set to be a great self-starting way to easily raise funds for dance education all over the world and provide for young, talented dancers who may not get opportunities like this.

Resolution! Review: Calling Dance Writers

The PlaceThe Place is once again opening it’s annual Resolution! festival up to reviewers who wish to be partnered by a professional critic and pass judgment on some of the UK’s most promising new dance companies. The Place has engaged with audiences and participants, championed the best ideas, and created inspiring conditions for artists and enthusiasts to realise their potential for over forty years, including that of Resolution!. Combining London Contemporary Dance School, Richard Alston Dance Company and the Robin Howard Dance Theatre, together with pioneering learning, teaching, outreach, recreation and professional development projects The Place champions contemporary dance in particular, and all its strands.

The Place’s approaches to participation, education, creation and performance inform each other, respond to today’s world, and embrace risks to build on the achievements of dance history and to transform and enrich lives. By shaping where dance is going next The Place offers a multitude of opportunities to see new dance, take part in something new or join discussions about key concepts and critical issues for the world of dance today. In particular, Resolution! has become one of the biggest dance festivals in the UK, showcasing new works by emerging choreographers each year at The Place running from Tuesday 14 January to Saturday 15 February 2014.

As a result, Resolution! Review is an online platform covering the entire festival. Supported by a team of national newspaper critics, who are paired with a team of young writers, mentored by the professional dance critics. Each show is reviewed by both and each review is promoted by The Place, who are now on the lookout for reviewers for Resolution! 2014. The festival does not require technical dance experts, just excellent writers who can communicate responses honestly and in an engaging fashion. The successful applicants will have access to seminars providing opportunities to ask questions around current working practices.

Dance Quest

Dance Quest At Sadler's WellsAutumn 2013 will see Sadler’s Wells continue its partnership with The Princes Foundation for Children and the Arts in the delivery of Dance Quest. Dance Quest is a project for the organisations in which 150 young people across the north of the capital will be introduced to live dance and performance. Students from five north London secondary schools will take part in workshops in the aim to make dance more prominent as an art form. This follows the introduction of the project last year, seeing great success.

Pupils from Broomfield School, Central Foundation Boys’ School, Gladesmore Community School, Holloway School and The Petchey Academy – aged 11-13 – will be eligible to take part in creative workshops led by dancers from Wayne McGregor | Random Dance. Providing young people with an opportunity of this type opens up their perception of dance even further, complemented by their chance to see two dance productions at Sadler’s Wells. For some, this may be their first time in a professional theatre, introducing them to London’s largest dance house.

When Dance Quest was launched last year it was met with a great response. The project is one which is all encompassing, enabling students to get a taste of dance in a unique setting, led by huge talent and aspiration. Dance Quest is a huge opportunity for these students and may even plant the seed of a lifelong interest in dance, perhaps even a profession. For 2013 Dance Quest will culminate in a final sharing in which each group will celebrate their achievements and perform in he Lilian Baylis Studio at Sadler’s Wells. Students will also have the opportunity to gain an Arts Award during the process.

Dancing Away From Bullies

Anti Bullying WeekSwindon school pupils have learnt how to use dance to counter the threat of bullies, taking time out from lessons to learn about bullying through the medium of dance. Students at Holy Rood Junior School were given a talk by Pat O’Driscoll, who runs a local Matt Fiddes martial arts school, about bullying and how to counter it before his daughter Megan led a street dance session. Such a great initiative could be effective rolled out to other mainstream schools across the country.

As part of National Anti-bullying Week this week the students were given a fresh perspective on bullying, encouraging them to build on their teamwork through the street dance session. The dance class helped the students work together and get along with each other. In addition to raising their awareness of bullying and how to deal with it. The school has even introduced peer mentors as part of their anti-bullying campaign, having trained with Healthy Schools co-ordinators in order to spot the signs of bullying and help signpost peers in the right direction.

Other events at the school as part of Anti-bullying week included a visit from Sophie Thorne, from the charity Fixers, who showcased her short film about cyber-bullying, and the students’ performance of a rap composed by a teacher at another event. It is evident that bullying is an important issue to raise at any level of education, and using dance to help counter it looks to be highly successful. Bullying can affect students at any stage of their education, with the highlighting of the issue at primary school level making students aware ready for secondary school where bullying is usually more prevalent.

The 2013 Youth Dance Conference

Yorkshire DanceThe 2013 Youth Dance Conference, named ‘Dance Insights – working together for the future of dance’, will take place on 20 November at CAST, Doncaster’s new performance venue in Yorkshire. The conference will cover teaching dance, health and wellbeing, and leadership in the context of working with young people on challenging economic times.

In addition to general funding cuts, the arts for young people also suffer due to a general lack of funds, with many companies having to find ways of becoming self-sufficient or even have to disband. It is clear that dance for children and young people is under serious threat, however Dance Insights aims to bring those working within youth dance together for essential discussion in a range of areas: health and wellbeing, sport, education, community, children and young people, regeneration and the arts.

In order to make sense of these issues and attempt to combat them, the conference will include presentations from national and regional experts, opportunities to share experiences and ideas for the future of youth dance, the chance to develop and build networks and work as a collective whole to find ways forward for the future of dance with children and young people to take away a stimulated view point and action plan.

There will also be an engaging participatory workshop-discussion programme on offer during the conference which will include sessions on inclusive dance, ‘standing up’ for dance, barriers to dance progression for young people, dance and health, young people and social media, innovation and risk taking in youth choreography. In hearing the opinions of young people about dance, and youth dance in particular, it will open up more avenues for discussion and possibilities to pursue in order to maintain the standard and amount of youth dance that is known today.

Moving and Experiencing: Somatics In Theory And Practice

University Of ChichesterThe University of Chichester, renowned for its dance course, is holding a day of talks, workshops and performances on 9 November, named Moving and Experiencing: Somatics in theory and practice.

Somatic practice in relation to dance is an alternative movement method to rigorous techniques studied in order to both oppose and balance these. Techniques such as Release, the Feldenkrais method and alternatives such as Tai Chi all promote a very different approach to dance and the body-mind connection, emphasising this use of the body as the basis for movement.

The day promises to bring together a range of professionals working in the field of somatic practice and arts-making in a series of research events to deepen knowledge and practice, enabling new possibilities. There will also be taster workshops, new dance performance research and a keynote talk for somatic practices. Each workshop will be an introduction to a particular way of a working, facilitating a deep and embodied awareness of the connections embedded in these practices.

For dance artists working in any aspect of the dance industry, the day is hoped to give way to deeper understandings amongst the respective somatic practices as well as providing a meaningful experience. The day’s practitioners will make an initial offering to a further enquiry into the depth and breadth of dance and somatic practices both in and beyond Higher Education. Those involved include Professor Jane Bacon, University of Chichester, Linda Hartley, Institute of Integrative Bodywork and Movement Therapy, Sharna Travers Smith, University of Chichester (Body-Mind Centering), Dr Jill Hayes, University of Chichester, (Dance Movement Psychotherapy) and Amanda Williamson, Visiting Fellow, University of Chichester (Mystical/Spiritual in Somatic Practices).

It is hoped that the University of Chichester will run a series of events similar to this.

UK Theatre Awards Nominees

UK Theatre AwardsThe shortlist of nominees for the UK Theatre Awards were recently announced on 3 October, the annual awards ceremony that is run by UK-wide body the Theatrical Management Association. There are many productions yet to grace the UK’s stages which could contend for the short list and then the awards themselves.

Productions already in process in theatre up and down the country are also in the running, including National Theatre of Scotland’s stage adaptation of cult vampire movie Let The Right One In and Tom Wells’ Jumpers For Goalposts, which play at the Royal Court and Bush theatres this winter for Best Design and Best New Play respectively. Sheffield Theatre’s new production of The Full Monty, which opens at London’s Noël Coward theatre in the spring, is also up for a prize celebrating the best UK theatre has to offer, in the Best Touring Production category.

Shows that have already wowed London audiences, including My Perfect Mind (Young Vic), Glasgow Girls (Theatre Royal Stratford East), The Butterfly Lion, Mister Holgado (both Unicorn theatre), Rutherford & Son (St James theatre) Deca Dance and The Great Gatsby (both Sadler’s Wells), are also in the running to take home prizes.

The nominees for one final category are yet to be announced, with voting closing last week. The My Theatre Matters! UK’s Most Welcoming Theatre Award is being voted for by the public via the Classic FM website with audiences supporting their favourite theatre before the shortlist is announced. The winners will be announced at an exclusive lunchtime ceremony held at the Guildhall on Sunday 20 October.

It consequently appears to have been a year of great achievement for theatre throughout the UK, demonstrated by the range of nominations celebrating both on and off-stage skill.

Let’s Make A Ballet with Chelmsford Ballet Company

Chelmsford Ballet CompanyThe Chelmsford Ballet Company, an amateur company with professional standards, is holding its annual Let’s Make a Ballet at The Sandon School in Essex on Sunday 20 October 2013. Let’s Make a Ballet is a choreographic workshop resulting in a short ballet production for young dancers wishing to get a taste of what it is like to be choreographed into a ballet production.

By application students will be able to see first-hand what the Chelmsford Ballet Company epitomises by giving young aspiring classical dancers the opportunity to dance roles they may not have chance to – take part in Let’s Make a Ballet and you could find yourself dancing Aurora or the Lilac Fairy! This is in addition to experiencing costume and work set specifically on you.

Let’s Make a Ballet is an engaging choreographic workshop and fantastic performance opportunity suitable for students between the ages of 7 and 14 years (on the 1 September 2013). The day will see children working with the Chelmsford Ballet Company’s Artistic Director in order to create a short ballet in a day. This new production will then be open for family and friends to watch the performance.

The Chelmsford Ballet Company is an amateur company who set professional standards, offering choreographed shows, workshops and classes. The company is not a dance school, but a not for profit organisation. The company constantly strives to promote and maintain interest in ballet and provide addition ballet training to that already received in regular dance classes.

For more details and an application form visit: www.thechelmsfordballetcompany.co.uk

Sergei to join the YBSS gala

Sergei PoluninThe Yorkshire Ballet Summer School gala set to be held at Sadler’s Wells on 29 September has added an extra star to its performing ranks. Sergei Polunin, one of the most talked about male ballet stars of the twenty-first century will be joining the star-studded gala to celebrate the 40th anniversary of the Yorkshire Ballet Summer School, hosted by Sir Anthony Dowell and Sir Derek Jacobi, produced by Marguerite Porter and Richard Clifford.

Polunin will be joining other world class theatrical and dance names such as Wayne Sleep and Samantha Bond performing ‘We’re A Couple of Swells’ (originated by Fred Astaire and Judy Garland in ‘Easter Parade’); dancers from the Northern Ballet in ‘Bitter Earth’ choreographed by Kenneth Tindall; Imelda Staunton and Michael Ball; Elizabeth Harrod, Soloist with the Royal Ballet;  ‘Le Corsaire’ performed by ENB soloist Lauretta Summerscales; the BalletBoyz and the Talent 2013, Steven McCrae with his own tap version of Gene Kelly’s ‘I Got Rhythm’; Dane Hurst in Mark Baldwin’s solo ‘Inala’, and dancers from Birmingham Royal Ballet.

The YBSS grew out of the Yorkshire Ballet Seminars which began in 1973 by ex-Royal Ballet dancer and teacher David Gayle MBE to give young people the chance to meet ballet professionals and learn about opportunities to further their ballet interests.  Within two years the Seminars had morphed into the YBSS, the country’s first residential ballet course. Porter likens the YBSS to talent scouting: “We wanted to help regional children to meet and be seen by experienced artists and teachers…40 years later we are still in a privileged position because of our contacts in the ballet world and are so pleased to be able to continue directing promising students to vocational schools”.

It must be noted that both Imelda Staunton and Jim Carter have great admiration for the venture, as it “does wonderful work introducing children to the world of dance by providing them with world class tuition” and they only hope that sciatica and a dodgy hamstring won’t prevent them premiering the Dolores Umbridge and Carson pas de deux to a dance hungry public!

Tickets: £12 to £85 www.sadlerswells.com

Image courtesy of Wikimedia Commons.