Liza Minnelli: The Non-Stopping Show-Stopper

Liza MinelliShowbiz legend Liza Minnelli, famous not only for her singing starlet mother Judy Garland but also in her own right, proved that she is still a show-stopping success at the Royal Festival Hall on London’s Southbank earlier this year. At 66 years old, Minnelli shows no sign of stopping either, continuing to wow her audiences and exude the presence of the ultimate star of the golden age of showbiz. Minnelli is a multi-award winning artist, singer, actress and fabulous dancer, who has proven herself as a starlet who knows her ‘razzle-dazzles’ from her ‘stepping outs’.

Her one off date performance at the Royal Festival Hall earlier in 2013 marked her first performance at the concert venue since 1973. However, in recent years she has graced other iconic London venues such as the Royal Albert Hall and the Coliseum as the headline act. Minnelli’s performance at Festival Hall forms part of the Southbank Centre’s ongoing season The Rest Is Noise – inspired by Alex Ross’s acclaimed musicology book – with the focus for Minnelli’s visit being Berlin In The ’20s & ’30s. As a result, Minnelli’s sparkling set exuded her fantastic talent in its fullest form, including hits from the divine decadence of Weimar-era nightlife such as Maybe This Time and Mein Herr, in addition to her performance of some of the late Bob Fosse’s choreography from her smash hit film production Cabaret.

Forming the full programme, legendary numbers such as Cabaret, But The World Goes ‘Round and New York, New York were originally written for her and included for Minnelli’s privileged audience, with other jazz and Broadway classics added to the mix and producing a show-stopping evening of immeasurable talent and star quality.

Image courtesy of Wikimedia Commons.

An intimate evening: Ruthie Henshall and Kerry Ellis

Ruthie Henshall

Musical theatre legend Ruthie Henshall, best known for her starring roles in productions such as Chicago and Les Miserables, is performing as part of the From West End to Broadway programme at Cadogan Hall in an intimate performance in August. In addition to an audience with Ruthie, the star will also be performing alongside her special guest, musical theatre icon and Broadway star Kerry Ellis. Originally training at Laine Theatre Arts, which also presented Ruthie to the musical theatre world, Kerry Ellis then went on to carve herself out a commendable career behind the microphone, particularly as green witch Elphaba in the London cast of Wicked, which she joined in 2006.

At Cadogan Hall however, Ruthie and her band will take the audience on a musical journey through her extraordinary career, from working with Lionel Bart, playing in Chicago on Broadway and starring in many other musical theatre productions, to receiving her Olivier Award. The evening will draw from a broad range of genres, from the Great American Songbook to contemporary scores which are significant to Ruthie now: Don’t Rain On My Parade, I Dreamed A Dream, All That Jazz, Electricity, Nice Work If You Can Get It, Adelaide’s Lament, I’ve Loved These Days, Vincent (Starry Starry Night) and many more of her favourites from iconic stage productions.

This particular show for Ruthie is both new and personal, and her chance to tell her story in her own words as well as performing some of the defining songs of her life, which she has performed onstage and experienced off stage. The evening will be accompanied by Ruthie’s own musicians: Paul Schofield (piano/Music Director), Lewis Andrews (bass/guitar) and Steve Maclachlan (drums). Ruthie’s career has been both extensive and extremely impressive, so this intimate evening is a rare glimpse into the star’s glittering career and personal highlights.

The BBC Performing Arts Fund

BBC Performaing Arts Fund

The BBC Performing Arts Fund has recently awarded £450,000 in grants to the theatrical sector for 2013. The first venture in this direction took place on Friday 7 June, which was the first live show of The Voice UK. This BBC One programme raises income for the BBC Performing Arts Fund through phone votes (a minimum of 10p per call), and whilst the genuine talent of the programme which graces the nation’s television screens could be questioned, it is clear that the contributions of funds from programmes of this type are extremely beneficial for the performing arts.

Since 2003, the revenue generated through phone voting programmes has resulted in over £4million of grants being awarded to emerging individuals and community groups working and performing in areas across the dance, music and theatre sectors. The commercial side of the venture considerably raises the profile of the sometimes understated performing arts sector, giving a larger voice to the belters of the industry, singing them loud and proud.

As a result of this, 2013 has seen the funding spotlight placed solidly on theatre. A total of £450,000 in grants is currently available for use in performing arts in each niche that will further invest in creative talent across the UK, from community centres, to after school clubs, to dance and drama schools, to the West End stage. Both of the Fund’s schemes are now currently open for applications, namely the Theatre Fellowship and Community Theatre.

Theatre Fellowships aims to support individuals through the early stages of their theatre careers, helping them to establish themselves in the professional world through bespoke placements within existing theatre organisations. The Community Theatre scheme aims to support the development of not for profit community theatre groups, allowing them to carry out training, attract new audiences, encourage new members and raise their profile in their communities.