The New Nureyev?

Rudolph NureyevFollowing performances of three young Russian men – Ivan Vasiliev, Sergei Polunin and Vadim Muntagirov – there has been some speculation from dance critics as to whether any of these men may become the next Rudolf Nureyev, one of the greatest male ballet dancers of the twentieth century and an extremely charismatic performer.

There have been recent starring roles danced by each of the dancers for various companies. Ivan Vasiliev, a Principal dancer of the Mikhailovsky Ballet and American Ballet Theatre Guest Artist with impressive thighs and a wonderful sense of characterisation danced Albrecht in Giselle opposite his on and off-stage partner Natalia Osipova. Although small, Vasiliev is a man of gigantic leap and power, executing his directed movement with conviction and a desire to tell the story to the last detail.

Polunin, on the other end, appears to have a notorious want not to tell the story, either his own or the one he should be dancing. Polunin has recently been the subject of much dance press in his desertion of the production of Peter Schaufuss’ Midnight Express, in which he should have danced Billy. This was after Polunin walked from The Royal Ballet of which he was a highly regarded Principal, with a greater desire for money and tattoos as a typical young man. Here, it is the intrigue of Polunin that sets him apart.

Elsewhere, Muntagirov, as one of English National Ballet’s revered Lead Principals under Artistic Director Tamara Rojo, is a sight to behold. Having been a Guest Artist greatly received by many international ballet companies, Muntagirov is usually partnered with Lead Principal Daria Klimentova. This highly successful partnership has often been likened to that of the iconic Nureyev and Margot Fonteyn duet as sparkling stars, just slightly unattainable. In this sense, it looks likely that Muntagirov will excel even further than he has a young dancer, creating a remarkable career.

Image courtesy of Wikimedia Commons

The Rudolf Nureyev Foundation Medical Website

Rudolf Nureyev Foundation

The Rudolf Nureyev Foundation medical website has recently been launched, dedicated to dancers and the medical and health professionals who care for dancers. The website provides access to recent and archived articles from leading professionals in the field, in addition to listing up-to-date research and conference proceedings, resources and information and links to international specialist healthcare provision.

The website is currently administered through a partnership between Dance UK and the Rudolf Nureyev Foundation, having been updated as a result of a dance survey conducted to assess the existing digital resources in dance medicine and science. As a result of a successful collaboration with leading dance organisations, as well as a Medical Advisory Board of leading senior health and science professionals dance practitioners, dancers everywhere will be able to benefit from the website’s service. Whether they wear leotards and tights or tutus and pointe shoes, dancers will have access to much information which will aid them throughout their dance studies and beyond.

The website will also be developing the International Dance Healthcare Directory to provide a listing of health professionals with experience in treating dancers, which can be searched by location, name, dance style and in which treatment they specialise. As a result, the website will provide links to existing national listings such as Dance UK’s Medical Practitioners Directory.

Nureyev established the Foundation in 1975 as ‘The Ballet Promotion Foundation’, aiming to invest and manage the Foundation’s endowment fund and to distribute grants to beneficiaries. The Foundation also served to promote ballet through the support of individual dancers, or companies, and performances. The Foundation received its current name in 1994 and remained keen to help young and talented dancers through their studies and in the development of dance as a whole. In addition to this, the Foundation was renowned for supporting medical, scientific and humanitarian projects.

The Fonteyn-Nureyev Partnership

Rudolf Nureyev and Margot FonteynThe partnership of Rudolf Nureyev and Margot Fonteyn is one which dance audiences and balletomanes alike still speculate about. However, it remains that their partnership is perhaps one of the most celebrated and talked about in the world.

It was one of fantastic chemistry and strength, and is arguably reflected today in Daria Klimentova and Vadim Muntagirow of English National Ballet, who have a similar age gap and performance quality to Fonteyn and Nureyev.

Nureyev was invited to make his London debut in 1961 at the annual gala organised by Margot Fonteyn for the Royal Academy of Dancing (now Royal Academy of Dance) of which she was President.

Following the gala Nureyev went on to be invited to dance in Giselle with Fonteyn, in addition to Swan Lake and the Don Quixote pas de deux, amongst many others. Work such as this laid the foundations for Nureyev’s subsequent career and link with the Royal Ballet.

The relationship between Fonteyn and Nureyev was seemingly one of balance, despite one in pointe shoes and a tutu, and the other in tights and a tunic. At 23 years old, Nureyev gave Fonteyn new life and vigour and in return Fonteyn provided Nureyev with inspiration to focus on his future career. Each dancer learned much from the other, each having similar dancing goals: this developed into one of the most talked about partnerships of the dancing world, even after their deaths and presumably far into the future too.

In their era, audiences were desperate to witness the Fonteyn-Nureyev charismatic performances and engage with some of the magic they created on stage. As a result of the demand for seeing the pair dance together, their agent went on to charge much more for the dancers as a pair than the sum of their individual fees, which was already soaring.

Image courtesy of Wikipedia.