As the Cats tour grips the country in a wealth of feline frolics and incredible talent, Dance Direct caught up with Dawn Williams, who is fresh out of musical theatre college and is playing kitten Jemima.
Dawn, have you always wanted to be on stage?
I have wanted to be on stage, for as long as I can remember, and have been dancing, singing and acting from such a young age. Performing was the only thing that I knew I wanted to do as a career.
Where did you go to train and what was it like there?
I went to Harlequin Stage School in Worcesterhire, as well as WODYS amateur dramatics and Emma Winscom Young Singers. For the last 3 years, I have trained at Laine Theatre Arts in Epsom, Surrey, where I graduated in Professional Musical Theatre and Dance. It was three years that I wouldn’t change for the world and I feel that it was the right school for me as it fulfilled all my needs and concentrated on aspects which I needed to improve and learn more about. Of course, it had highs and lows, and it was never easy, but the hard work was definitely worth it and I graduated ready for the industry. Well, as ready as I could have been! I think you are always going to be learning ‘on-the-job’ and from other people throughout your career.
Did you audition a lot before Cats?
I started auditioning in my final term at Laine, through the college agency. I auditioned for cruises, West End shows and tours, even flew to Germany for an audition. I did okay in these auditions, and wasn’t too disappointed as I was still at college. I then got a QDOS pantomime playing Wendy in Peter Pan. I was over the moon, as I felt that this was a good place to start my career. From graduating from Laine I then got a new agent. I got signed by Gina Rowland from Bronia Buchannan and was fortunate to obtain fringe work at the Union theatre in a production of Call Me Madam directed by Michael Strassen. It was then that I started to audition for Cats and was successful. I was very lucky as I then went from job to job.
What was the Cats audition like?
The Cats audition process started with a dance round first, where we were taught a section of the Jellicle Ball. Then there was a cut which kept back a handful from a room full of girls. We then had to sing our own material and I got called back several times after this and was asked to learn material from Cats. We worked on the dance choreography each time we had a call-back: after a 3 week process I got a phone call from my agent to say that I have been offered the role of Jemima and first cover Rumpleteazer. As expected I screamed! And ran round my house!
Were the rehearsals hard?
The rehearsal process was hard as for the majority of the time I was still getting my head around the fact that I was there and was going to be a part of such a great show! We only had one month, which (we were warned) had never been done before for Cats. Learning the choreography was amazing as it was the original as choreographed by Gillian Lynne, and learning all the music was amazing as I had never been in an environment where 26 people were all singing great music in harmony. I had to make sure that I went home and went over everything I my head, so I was singing and doing the dance moves in my sleep. Along with learning the solid material, becoming a cat was so interesting as well as difficult. We had to attend a cat workshop in order to focus on all aspects of becoming a convincing cat. We were taught to be aware of what was around us, our senses, our feelings and everything in our bodies and how that all made us feel or react. I would say that all of this work was harder than setting and learning the show!
What is understudying like?
I’ve really enjoyed understudying. At first I found it hard as I was learning my own track so in rehearsals I took note of where my cover was positioned, then when I was confident with the part of Jemima I learnt the choreography for Rumpleteaser.
Have you played the part yet?
Recently I have been on as Rumpleteaser, since the end of Manchester until first week in Bradford, where I did the first rehearsal and press night which was exciting but nerve wracking, just because Rumple is an older character and I had to think about the different counts and traffic, and also working in as a duet. But, I had a great time and it was good to do a run of shows rather than just a one-off performance.
What is it like being on tour?. Is it what you expected, or different?
I didn’t know what to expect really being on tour but I am really enjoying it, as it is my first big job and it keeps me fresh being at different venues, as the sound, stage, theatres are all so different. Some venues work better than others and some venues are nicer places to visit, but overall I am really enjoying it!
What is a day in the life of Dawn, and does this change from place to place on tour?
My normal day would be to get up at around 10am, have breakfast, and then go out to see the place in which I am staying and then meet some of the cast for lunch. I tend to eat larger lunch then I am used to, as I get to the theatre for 5pm, so I need something to fill me up until 10.30pm, but I eat about 3pm so that I don’t feel full by the time the show starts. When I get to the theatre it then takes me 45 minutes to do my makeup. Although I have got a lot faster, I don’t like to rush it and some of it I still find really tricky, like the eyes and muscle, so I like to take my time. I then have to warm up at 6pm, physical and vocal until the half hour call, then it’s wig and costume time. The show comes down at 10.15pm roughly, when I change and maybe have one drink after the show but most of the time I go back home and relax before bed.
Do you enjoy it?
I really am enjoying it but it is still overwhelming at times. Working with a great cast and team makes it even more enjoyable. The show is so energetic, as soon as you get into the zone to start the show Act 1 is done, it goes so fast and Act 2 soon follows. I love being Jemima too, as I am a kitten so I can have lots of fun, be playful, curious about different things and I have a great dance track, but then I get to perform the lovely spiritual moments singing at the beginning of Act 2 and later on in the show the famous Memory with Grizabella. With this show no performance is the same as we are always experimenting with different ways of being feline, the way we walk, the way we crawl, the way we get up and down, the positions on set and our relationships with the other cats.
Do you have any pre show rituals?
The cast of Cats always gets together at the beginners’ call and we all hold hands as we are about to become a tribe as this helps us all to get focused and it brings us all together before the show! I always have to have the same leg warmers on too, so the black one always goes on the left leg and the black and white one on the right!
What is your advice to aspiring performers?
Find the right training for you. Believe in yourself. Never give up. Work hard. Dreams really can come true!
Find out where the Cats tour is heading next: http://www.catsthemusical.com/tickets/2013-ukeurope-tour/
The iconic musical Cats will return to the London Palladium later this year, playing a final ten week season from 23 October 2015, having already seen its West End revival earlier this year which was a huge success. Andrew Lloyd Webber’s creation will go on sale on 14 May for the run, which plays from 23 October 2015 to 2 January 2016.
Former Pussycat Doll Nicole Scherzinger will make her West End stage debut this year when she takes to the stage as Grizabella in Andrew Lloyd Webber’s record-breaking musical Cats. The musical, directed by Trevor Nunn and choreographer by Gillian Lynne, will return to the West End for a strictly limited run from 6 December at the iconic London Palladium.
Since Cats the musical opened on the West End stage in 1981 it has become one of the world’s best known and best loved musicals. Originally directed by Trevor Nunn, the show has since been presented in over 20 countries and in around 250 cities, including diverse destinations such as Buenos Aires, Seoul, Helsinki and Singapore, and has been translated into 10 languages for audiences all over the world. The show has translated into Japanese, German, (three versions for Germany, Austria and Switzerland), Hungarian, Norwegian, Finnish, Dutch, Swedish, French, Spanish (two versions for Mexico and Argentina) and Italian, with the Swiss production requiring a bilingual cast who performed in German and English on alternate nights