The Royal Ballet School Announces New Teachers’ Course

The Royal Ballet SchoolThe Royal Ballet School will launch a new teachers’ course starting in September 2014: the Diploma of Dance Teaching will build on the highly successful Professional Dancer Teachers’ Course and the expertise of the school’s Dance Partnership & Access Programme, to provide a good foundation in both technical and creative approaches to teaching ballet. The course will be delivered by Royal Ballet School staff and visiting lecturers in The Royal Ballet School’s state of the art studios in Covent Garden, London.

The two-year part time course includes opportunities to specialise in teaching in either vocational or educational settings: the Diploma is suitable for both current and ex-professional dancers and teachers and will provide a sound foundation in teaching ballet to a broad range of students. The course will cover classical ballet technique, anatomy, education practice, reflective practice, psychology and child development and work place context.

The course is a particularly special one for the organisation in that it not only offers flexibility in learning, but also gives teachers a broad body of knowledge on which to build a successful career in dance. The Dance Partnership & Access Programme was established in 2004 to provide broader access to ballet and the work of The Royal Ballet School. Over ten years a national programme of long term, sustainable primary and secondary school projects has been established, providing introducing ballet to a new generation by the school’s graduates.

The School’s mission is to train and educate outstanding classical ballet dancers for The Royal Ballet, Birmingham Royal Ballet and other top international dance companies, and in doing so to set the standards in dance training, nationally and internationally. The School offers an eight-year carefully structured dance course, aligned with an extensive academic programme, giving the students the best possible education to equip them for a career in the world of dance.

Rambert And Cunningham

Rambert Dance Company LogoRambert, Britain’s oldest dance company, is set to perform a site-specific version of Merce Cunningham’s signature works, Events, at its new South Bank building this summer. Cunningham is seen as many as one of the fathers of post-modern dance as we know it today within the contemporary sphere, with many artistic directors of Rambert having studied in the then-Cunningham studios in New York.

Events marks the first time the touring dance company will stage a professional show of its own at its new £19 million home, which opened in December 2013 with the original intention of operating solely as a rehearsal space. It will stage Rambert Event – which will see Cunningham’s choreography arranged in a new version by Jeannie Steele – in two of its studios, which will accommodate 120 people from 28 June to 12 July. Previously Rambert has only partnered with the nearby National Theatre, using the Rambert studios to stage performances of The Curious Incident of the Dog in the Nighttime following the collapse of the theatre the show was playing in.

The promenade show will feature new music written and performed by Philip Selway, from rock band Radiohead, and designs by painter Gerhard Richter. It will be the first performance of Cunningham’s Events since the closure of the choreographer’s dance company in 2011, following his death in 2009. The company presented a number of Events throughout its lifetime, accumulating in a farewell tour which came to a triumphant close on New Year’s Eve in 2011.

The performance has been made possible due to a £100,000 donation by Ambassador Theatre Group chief executives Howard Panter and Rosemary Squire. Panter is chair of the dance company and their donation has launched Rambert’s New Work Commissioning Fund, which will raise private money to develop exceptional projects that are additional to the company’s normal repertoire.

Crazy for Gershwin

Crazy For GershwinLate April saw the new Crazy for Gershwin tour announced for October and November of this year. It is set to be a celebration of the works of George Gershwin, including classic orchestral compositions alongside a selection of show-stopping numbers, written in collaboration with his lyricist brother, Ira. The pair formed one of the most successful partnerships in the music industry and their music is known worldwide.

The performances from the Gershwin repertoire of music, song and dance will include ‘Rhapsody In Blue’; ‘I’ve Got A Crush On You’; ‘Someone To Watch Over Me’, ‘Oh, Lady Be Good!’, ‘Fascinatin’ Rhythm’; ‘S’Wonderful’; ‘Strike Up The Band’; ‘A Foggy Day (In London Town)’ and highlights from ‘Porgy and Bess’ such as ‘Summertime’ and ‘It Ain’t Necessarily So’. Performers for the tour then include the London Concert Orchestra: Jonathan Scott on piano, Meeta Raval as soprano, Rodney Earl Clarke as baritone and Richard Balcombe as conductor. The performances will also include a ballroom dancing duet and two tap dancers.

There have been other takes on the Gershwin success in other performances, such as English National Ballet’s production of Strictly Gershwin, which was staged in the round at the Royal Albert Hall and then in proscenium arch theatres around the country on the company’s tour. The performances included Gershwin hits such as those above, adding a multitude of ballerinas into the mix. There was a ballroom dancing duo here as well as some of the dancers donning their tap shoes and adding syncopated rhythm to their performances.

Dates and venues of the Crazy for Gershwin tour are yet to be formally announced but when they are the tour looks set to be perfect for any Gershwin or simply musical theatre fan.

Strictly Come Dancing ‘Meet The Stars’ Weekend

Strictly Come DancingDonahey’s Dance School is set to host a special Strictly Come Dancing ‘Meet the Stars’ weekend in June in Warwickshire, offering avid fans of Strictly the chance to meet their dance icons on a weekend dance break. The weekend includes tuition and performances by Strictly Champion Aljaz Skorjanec and Janette Manrara, Anton Du Beke and Erin Boag, and Natalie Lowe and Ian Waite and is a unique opportunity for keen fans and dancers to get up close and personal with the pro dancers.

The weekend package includes four hours of Ballroom and Latin dance classes with the Strictly dancers, tailored to the participants’ dance ability. The workshops are perfect for both beginners and intermediates, as well as experienced dancers.

Guests will also be treated to dance showcases from floor-side VIP seating. This unique up-close and personal guarantee at is at no additional cost. The Strictly dance weekends have been hugely successful for the past eight years due to the personal experience offered. The school works in partnership with the stars of Strictly to offer a unique and coveted experience.

Donahey’s dance school was founded in 1968 and is run by mother and son Shirley and Paul Donahey. Teaching adults and children of all ages, Shirley and Paul offer classes in ballroom, disco, Latin American, salsa, rock and roll, and Argentine tango. Donahey’s also specialise in organising dance weekends across the UK featuring the Strictly stars, enabling people to meet their dance heroes and learn from the best.

Donahey’s Dancing With The Stars weekend includes two nights of dancing, a Black Tie Ball with live music from The Tony Greenwood 15-piece Ballroom and Latin Big Band, and a late night ‘Latin Lounge’. The weekend culminates in a breathtaking Grand Finale dance showcase from the Strictly dancers.

New Multi-Arts Festival For The Roundhouse Summer Sessions

Camden RoundhouseThe Roundhouse, Camden, has announced a new multi-arts festival, named ‘Roundhouse Summer Session, in some of the best live entertainment for London this summer. Whilst lots is going on inside, outside visitors can enjoy Camden Beach, the Roundhouse’s very own seaside resort, all of which is taking place throughout July and August. On the terrace, Camden’s biggest outdoor space, there will be 150 tonnes of the finest sand, deck chairs, beach huts, live music and some of the best food pop-ups in the city.

Summer Sessions will present live music, dance, comedy, cabaret, spoken word and live-scored cinema in an intimate, table-seated setting. The eclectic line-up includes the world premiere live scoring of There Will Be Blood, exclusive UK headline performances from Sinéad O’Connor and Chilly Gonzalez, a preview of new work from BalletBoyz, performances from rising star Andreya Triana, Penguin Café, Funk Da Cirque, Boom + Bang Cabaret and The Nest Collective host London’s biggest Ceilidh.

Following international success, BalletBoyz present their award-winning show Serpent/ Fallen for the final time in London, together with a chance to see an excerpt from their much anticipated new full length work Young Men, choreographed by Iván Pérez, based on the theme of war and the men that train and fight together. Serpent is choreographed by Liam Scarlett (Royal Ballet Artist in Residence) and Fallen is choreographed by Russell Maliphant. Fallen won the award for Best Modern Choreography at the 2013 National Dance Awards.

Funk Da Cirque returns to the Roundhouse with Soul Trip, a show that combines street dance styles including boogaloo, house, waacking and b-boying – mixed with theatre, acrobatics, human pyramids and body percussion. Following sold out debut shows at Roundhouse CircusFest 2012 and hot on the heels of appearances at the National Theatre’s Watch This Space and Camp Bestival, Funk Da Cirque includes some of the best young street dancers and acrobats from across London, aged 11-25.

Boom + Bang Cabaret is a cabaret circus extravaganza featuring the most talented circus performers from around the world including evil clowns, fire breathing panthers, a drag ringmaster, a Russian prima ballerina, death-defying aerial feats and more. The Boom + Bang Circus is the new creative collaboration between producer Bioux Lee Hayes (formerly of Boom Boom Club and La Reve) and the award winning, international burlesque and circus performer Kitty Bang Bang.

The Royal Ballet Graduate Scheme

The Royal BalletThe Royal Ballet is set to launch a year-long training scheme for graduate dancers, aimed at providing female ballerinas in particular with an “extra chance” to gain employment in the industry.

The number of female graduates entering the dance industry has been the topic of many conversations, so the steps to be taken by the Royal Ballet look to ease the problem and provide employment solutions for some.

The scheme is to be called the Aud Jebsen Young Dancer Programme; it will commence in September 2014 and will offer up to six paid work placements to dancers who have graduated from ballet school. There will be opportunities to work with the company’s corps de ballet, teachers, coaches and young choreographers, enabling young graduate dancers to begin to work their way up the dance career ladder and secure a healthy start.

Participants of the scheme will also be able to perform with the Royal Ballet, gaining invaluable performance experience as they continue on their dancing journeys.

Royal Ballet director Kevin O’Hare said that the organisation would initially look to the Royal Ballet School for recruits, but would also encourage graduates from other training providers to apply. The programme is to be open to both male and female dancers, however O’Hare hopes to see more female ballet dancers applying because it is hoped to then encourage them to continue their career either at the Royal Ballet or another dance company.

The competition between female dancers is extremely high, simply because there are so many of them. Men tend to appear more successful in their endeavours because there are less of them in the ballet world, with seemingly more jobs to go around a smaller number. The Royal Ballet graduate scheme aims to give female dancers an extra chance, setting them up to either join the Royal Ballet or any other company around the world.

Nicky McGinty: At The OM Yoga Show

OM Yoga Show 2014Nicky McGinty, professional dancer and choreographer, is the pinnacle of Ballet Yoga, set to be presented at the OM Yoga Show and MBS Experience in Manchester from 10-11 May. In a unique fusion of Contemporary Ballet and Vinyasa yoga, the techniques are combined to create enormous strength, flexibility, fat burning, co-ordination and great posture.

When did you begin dancing, where and why?

I began attending ballet classes aged 6 in Woking, Surrey. Why? Because my two older sisters went and I suppose my mum hoped I might enjoy it – little did she know what she started!

What were your early years of dancing like?

The years were strict at ballet school, and so much fun at the local theatre group, school and in my own garden dancing and prancing about. I was lucky to have some amazing teachers, and some harsh ones, that have taught me how and how not to teach! We performed many shows, musicals and pantomimes. I remember always getting lost in movement when I was young, always creating my own steps and dancing in the garden and bedroom mirror.

How long have you been performing and choreographing? Did you start young?

I have been performing since a young age – say 12 – but choreographing and performing professionally since the age of 21, so 19 years now.

Where did you train?

I did some very unconventional training but regardless it was very disciplined and demanding physically, emotionally and mentally – we were challenged, as is the nature of dance I think, up early and home late. No social life as we were too busy and often rather isolated on location or rehearsal studios!

I did a BA Hons Dance degree, and a Diploma in Circus Skills and Physical Theatre. I was lucky to get an Observership Award to shadow the wonderfully talented choreographer of feature films and theatre, Fran Janes, and I then did a PGCE in Dance. I trained as a Yoga Teacher in India and did my Pregnancy Yoga training about 2 years ago.

What is a typical day like now?

It is very different in some ways as I have a 1 year old son now. But similar in that I am up early and home late as I go to teach when he goes to bed. So a typical day is long, creative and incredibly physical as he is a very busy boy!

Do you still take classes?

I love to go to a contemporary, jazz or ballet class when I get the time, and I often take a yoga class at London’s Jivamukti Centre.

How do you keep on top of your technique?

I am lucky in that my yoga and ballet teaching now acts as a constant reminder of good technique to me. It’s a lifestyle I aspire to.

Do you prefer choreographing to performing?

Great question – I think when I was younger I loved the stage – performing was and is magical! But, I was a nervous performer so choreographing was always safer and where I could often express myself fully.

What would you say was your greatest achievement to date?

That’s a hard one for me because it was often the smaller jobs that were the more enjoyable, but its often the bigger jobs that I learnt most from and often the ones most respected by others.

I think dancing on a few feature films – ‘The Da Vinci Code’ in particular was a great achievement. Also, dancing and co-choreographing in a world record was pretty awesome. It was the biggest amount of different dance styles and performers – (800) all in one simultaneously choreographed piece for Big Dance and BBC1 in Trafalgar Square in preparation for the Olympics. That was a huge accomplishment!

Which part of dance do you enjoy most?

I was always a big fan of the creative process: those amazing improvisations where some incredible movement would surface! I love site-specific work that juxtaposed its natural setting; like ballet dancing throughout Selfridges for Christmas! I also love the moment when I can see the rehearsal process and hard graft come together, often in conjunction with the costume and staging departments. That’s often an exciting and very gratifying feeling.

What advice would you give to someone aspiring to be part of the dance industry?

Think BIG – go for it – live your dreams! Try not to narrow your vision by saying ‘I can’t’ or ‘I don’t want to do that’, those are often the best jobs! Never let auditions take away your self worth! Be bigger than your biggest critic, eat well and look after yourself.

What’s next for you?

I’m working towards teaching retreats abroad and I’m about to release my third DVD in a box set trilogy: Ballet Fitness, Ballet Yoga and Beginners’ Yoga.

Get Scotland Dancing!

Get Scotland DancingMore than 250 arts organisations are taking part in Get Scotland Dancing, part of the four-year legacy culture programme for Glasgow 2014 aimed at getting more people of Scotland up on their feet and moving to music. As a country which has a high level of obesity, the Get Scotland Dancing campaign is a fantastic initiative to encourage more people to engage with dance through the various methods of the programme of activity.

Full details of the programme have been announced, with the majority of events designed to encourage participation, and many involve taster sessions for dance organisations. The programme is particularly geared towards mass, participatory events. This includes the Big Dance Pledge, a new dance created by Scottish Ballet which will be performed worldwide in mass-dances on 16 May. Participants will be able to learn the dances by watching videos online. Meanwhile, there will be a succession of ceilidhs around the world, all starting at 7.30pm on 21 June, forming the 24 Hour Commonwealth Ceilidh.

Performance events of the Get Scotland Dancing programme include a youth dance festival led by Scotland’s YDance involving 36 dance groups from commonwealth countries at the Glasgow Tramway from 10-12 July. Youth dance companies from all over the country will be participating, such as Quicksilver, the youth company of Britain’s oldest dance company, Rambert. The programme also includes a new interpretation of Vivaldi’s Four Seasons created by choreographers and community dance artists Royston Maldoom and Tamara McLorg, which will premiere in Aberdeen on 20 July. Lastly, Gathered Together, an international inclusive dance festival hosted by Indepen-dance at the Tramway, will run from 27-30 August.

Full details of Get Scotland Dancing and associated events are at www.getscotlanddancing.org

The Royal Ballet 2014/15 season

The Royal BalletThe Royal Ballet 2014/15 season has recently been announced. It will include three world premieres (with only one likely to be classical) including a new full length ballet by Wayne McGregor, a new one act ballet from Liam Scarlett in November, alongside Kim Brandstrup’s Ceremony of Innocence, and a work by Hofesh Shechter.

Carlos Acosta’s Don Quixote will return to the stage, as will Kenneth MacMillan’s Manon in a 40th Anniversary revival. La Fille mal Gardée will then be presented in Spring 2015 and will be part of the live cinema relays programme (along with Manon, Alice’s Adventures in Wonderland and Swan Lake).

Draft Works returns in February 2015, in which works in various stages of choreographic development will be performed without full sets and costume, giving audiences an insight into the graft of the process of choreographing.

Royal Ballet dancer (First Artist) Ludovic Ondiviela will present a new work in the smaller Linbury space with guest dancers, and the Company will tour to Washington, Chicago and New York.

The highlight of the upcoming season seems to be the return of Alessandra Ferri (former Royal Ballet Principal) in the summer of 2015 to dance Wayne McGregor’s new full length ballet, entitled Woolf Works. The piece will be based on the writings and life of Virginia Woolf, with a new score by Max Richter, with whom McGregor has previously collaborated on his critically-acclaimed work Infra.

Closing the season, alongside Jerome Robbins’ Afternoon of a Faun and In the Night, will be MacMillan’s Song of the Earth as a third of the triple bill.

Breakin’ Convention Launches BCTV

Breakin' ConventionSadler’s Wells’ hip hop dance project Breakin’ Convention has launched an online video channel, BCTV, to capture the full range of Breakin’ Convention’s work and the artists it works with, on Friday 2 May 2014.

Breakin’ Convention is one of the world’s leading hip hop dance organisations, delivering a dynamic programme of events, performances and projects, working with some of the world’s finest hip hop artists. It will present Breakin’ Convention, its critically acclaimed annual festival of hip hop dance theatre, at Sadler’s Wells from 3-5 May 2014, ahead of a UK tour to venues such as Doncaster, Kings Lynn, Inverness, Birmingham, Brighton, Bristol, Blackpool and Bournemouth.

The hip hop community boasts many talented emerging film-makers, but opportunities to train, develop and receive mentorship are limited. Unpaid work and internships are financially unsustainable for most, which makes entry and progression within the industry difficult. Breakin’ Convention therefore aims to plug this gap by offering training and mentorship coupled with paid, creative film-making briefs. Through providing access to quality equipment and mentors, tailored training programmes and bridging relationships with other film production companies, BCTV is not only a fantastic opportunity for film-makers to make dynamic content but a gateway to the larger industry.

The project is part of Sadler’s Wells’ work to ensure a strong legacy beyond the tour. In addition to BCTV, this will include engaging local urban cultural ambassadors who will provide the link between the venue and the local hip hop dance, graffiti, rap and DJ communities in order to highlight lesser-known projects to a wider audience.

BCTV features everything from live performances to interviews, short documentaries, video diaries and conceptual videos, and provides an insight into the world of hip hop dance.