An intimate evening: Ruthie Henshall and Kerry Ellis

Ruthie Henshall

Musical theatre legend Ruthie Henshall, best known for her starring roles in productions such as Chicago and Les Miserables, is performing as part of the From West End to Broadway programme at Cadogan Hall in an intimate performance in August. In addition to an audience with Ruthie, the star will also be performing alongside her special guest, musical theatre icon and Broadway star Kerry Ellis. Originally training at Laine Theatre Arts, which also presented Ruthie to the musical theatre world, Kerry Ellis then went on to carve herself out a commendable career behind the microphone, particularly as green witch Elphaba in the London cast of Wicked, which she joined in 2006.

At Cadogan Hall however, Ruthie and her band will take the audience on a musical journey through her extraordinary career, from working with Lionel Bart, playing in Chicago on Broadway and starring in many other musical theatre productions, to receiving her Olivier Award. The evening will draw from a broad range of genres, from the Great American Songbook to contemporary scores which are significant to Ruthie now: Don’t Rain On My Parade, I Dreamed A Dream, All That Jazz, Electricity, Nice Work If You Can Get It, Adelaide’s Lament, I’ve Loved These Days, Vincent (Starry Starry Night) and many more of her favourites from iconic stage productions.

This particular show for Ruthie is both new and personal, and her chance to tell her story in her own words as well as performing some of the defining songs of her life, which she has performed onstage and experienced off stage. The evening will be accompanied by Ruthie’s own musicians: Paul Schofield (piano/Music Director), Lewis Andrews (bass/guitar) and Steve Maclachlan (drums). Ruthie’s career has been both extensive and extremely impressive, so this intimate evening is a rare glimpse into the star’s glittering career and personal highlights.

Worldwide Wicked

Willemijn VerkaikThe beautiful Willemijn Verkaik is set to will join the cast of Wicked the musical in London this year, bringing her esteemed performance as Elphaba to West End audiences following more than 1,000 appearances as the witch in productions all over the world. The Dutch musical theatre star has played the role in productions of the hit show in Holland, Germany and on Broadway, making her the only actress to have ever performed the role in more than one language. Wicked, and musical theatre in general, looks set to take over the world!

Wicked, which opened in London in 2006 and on Broadway in 2002, has been seen by more than five million people. The production tells the story of the Witches of Oz, and how two young magic students became Glinda the Good and the Wicked Witch of the West before Dorothy flew in. London audiences will now get the opportunity to experience and acknowledge Willemijn’s performance as Elphaba, who will join the cast at the Apollo Victoria theatre six years after she made her Wicked debut abroad.

Verkaik is by no means a one trick pony: she has also appeared in We Will Rock You and Elton John’s Aida, and has made numerous concert appearances across Europe. In 2012, Verkaik made her Broadway debut in Wicked earning her a Broadway.com Audience Award nomination for Best Takeover. Considering Broadway and the West End alone, this transfer greatly widens the audiences of Verkaik’s talent, and ultimately acknowledging her ability to perform the role in three languages opens up a whole new meaning of the word ‘accessible’.

Louise Dearman, who is currently playing the role of Elphaba on the West End stage is the first person to ever play both leading roles, having first played Glinda in 2010, and will play her final performance in the musical in November.

Image courtesy of Wikipedia.

Newsies – A New Musical For The West End

Newsies - The MusicalThe Broadway musical Newsies is said to be hitting the capital’s West End with leaps, kicks and turns in the spring of 2014. As a result of this exciting transfer, the hit show, by Harvey Fierstein, will be scouting for UK dance talent to fill the dancing shoes of the production’s esteemed Broadway dancers.

The producers will be holding open auditions in order to find their cast for the show, which is based on the 1992 Disney film starring Christian Bale, reminding many theatre-lovers of the ‘cattle market’ style auditions conducted for A Chorus Line in which hundreds of enthusiastic performers queued for many hours. Newsies requires just two male dancers, insinuating that these auditions will find them in possibly worse conditions than those for A Chorus Line.

Newsies is currently running at the 1,200 seat Nederlander Theatre on Broadway, and tells the story of the real-life newsboy strike of 1899 as the boys’ leader fights against big-time publishers Joseph Pulitzer and William Randolph Hearst. The show – it has been reported in the arts press – is aiming to open at either the Piccadilly or the Savoy Theatre next year, following two open auditions on 17 June 2013 at Pineapple Dance Studios in the heart of the West End. The auditions are hoped to produce two trained dancers with excellent ballet technique and dance talent, capable of playing ages between 16 and 22 years old.

The production, also containing acrobatics, tap dancing and a huge amount of energy, won two Tony Awards in 2012, one of which was for Christopher Gattelli’s choreography and the other for Alan Menken and Jack Fieldman’s score. The show was originally intended as a regional production and had a trial run in New Jersey in 2011 which was followed by its transfer to Broadway in 2012 and the nominations for five other Tony Awards.

Images courtesy of Wikipedia.

A George Gershwin tribute

George GershwinSome of today’s most renowned musical theatre artists will be paying tribute to the music of George Gershwin by performing at a concert in September. Michael Ball, Kerry Ellis and Gina Beck, amongst many others, are set to celebrate his music through Summertime – An Evening of Gershwin which will be part of the Live by the Lake season at Kenwood House, north London, later in the year.

The event, hosted by Ball, will also feature David Shannon, whose credits include performing in hit musicals The Phantom of the Opera and Miss Saigon, both of which have been tremendous successes in their own rights. In terms of Gershwin, born in September 1898, the American composer was renowned for his partnership with his brother Ira, who provided the lyrics for George’s compositions.

Some of the Gershwin brothers’ greatest musical numbers include Rhapsody in Blue, Someone to Watch over Me and Porgy and Bess. The compositions spanned both popular and classical genres of music, and today the melodies are widely known. English National Ballet even produced a fully-fledged work named Strictly Gershwin in celebration of the brothers’ music, providing audiences with a completely different but wholly enjoyable show. George’s 23 year career saw the pair even work for Hollywood with George composing the music for Shall We Dance, the musical film starring Fred Astaire and Ginger Rogers.

In addition to Summertime – An Evening of Gershwin, other shows which will feature as part of the Live by the Lake series include a screening of Singin’ in the Rain, featuring the Royal Philharmonic Concert Orchestra playing the film’s score live, taking place on 30 August. The screening will follow the departure of the West End musical for its consequent UK tour.

Image courtesy of Wikimedia Commons.

Anything Goes… Again!

Anything Goes - Sondheim Theatre 2011The classic production Anything Goes is back on the musical theatre scene and is currently on tour across North America, visiting St. Louis, Washington, Schenectady, Toronto, Costa Mesa, Portland, Spokane and Seattle. This splendid new production produced by the Roundhouse Theatre Company will feature all the iconic tracks such as ‘I get a Kick out of You’, ‘It’s De-Lovely’ and ‘Anything Goes’, with the legendary Cole Porter the genius behind the music and lyrics of this sassy Broadway musical.

Anything Goes is based on the original book collaboration by Guy Bolton and P.G. Wodehouse, and tells the story behind the S.S. American heading out to sea to London from New York, with two unlikely pairs setting off on the course to true love with mad antics along the way. Destiny then receives a little help in delivering the love from a crew of singing sailors, an exotic disguise, and of course some blackmail! The protagonists’ bumpy ride is levelled out by Kathleen Marshall’s fantastic work as Tony Award winner choreographer, providing audiences with an all-round entertaining trip out. Marshall has also worked on musical productions such as The Pajama Game and Grease.

Anything Goes is the winner of three Tony Awards, including Best Revival of a Musical, having been revived several times in the United States and Great Britain. The musical has also been filmed twice and is an extremely popular choice for school and community productions since its performance debut in 1934 at the Alvin (now Neil Simon) Theatre on Broadway. Charles B. Cochran, a British theatrical manager, bought the London performance rights and brought the show to the West End’s Palace Theatre opening in 1935 and running for 261 performances. The National Theatre then revived the music and opened it at the Olivier Theatre in 2002, with the production then transferring to the West End’s Theatre Royal from 2003 for a year.

Image courtesy of Wikimedia Commons.

Kids Week is back for 2013

Kids Week 2013Kids Week, organised by the company behind Official London Theatre, Society of London Theatre, is now in its 16th year and aims to encourage families to experience the magic of theatre and welcome children through the West End’s doors. For 2013, the Kids Week team has announced a huge 34 top London shows as part of the line-up, offering free tickets to children aged 16 and under with every adult ticket purchased.

As well as receiving a free child’s ticket with every adult ticket purchased for a Kids Week show, Kids Week bookers are also able to book a further two children’s tickets for half price, as well as engage with numerous workshops and activities also offered. Family favourites and exciting new shows are amongst those offered for further events, so this year kids can don their tap shoes, high kick into the theatre and wave their jazz hands in the jam-packed range. Kids will have the opportunity to perhaps try ballet, learn classic pop songs, tap their troubles away and lots more!

2012 was a record-breaking year for Kids Week, so following on from this success, the annual campaign to encourage more people to embrace Theatreland will run for the whole of the month of August, full of performances, free activities and workshops for children and their families, giving adults the chance to shimmy-shake and all that jazz!

With something for everyone, shows on offer this year include seven-time Olivier Award winner The Curious Incident Of The Dog In The Night-Time, The 39 Steps, One Man, Two Guvnors, War Horse, The Woman In Black, the classic whodunit The Mousetrap, Billy Elliot The Musical, The Bodyguard, A Chorus Line, Dirty Dancing – The Classic Story On Stage, Disney’s The Lion King, Let It Be, Mamma Mia!, Matilda The Musical, Les Misérables, Monty Python’s Spamalot, Jersey Boys, The Phantom Of The Opera, The Sound Of Music, Thriller Live, Top Hat, West Side Story, We Will Rock You and Wicked.

Dirty Dancing Set To Return!

Dirty Dancing - Aldwych TheatreThe hit West End musical that went on to tour the UK, Dirty Dancing, is set to replace Viva Forever! at the Piccadilly Theatre in the West End, depicting a story of talent shows and friendships set to the music of the iconic Spice Girls. Despite this pull, the new musical is set to close its doors later this summer and welcome Dirty Dancing, which previously played in London at the Aldwych Theatre from 2006 until 2011 and has since been touring the UK. The much-loved musical will finish touring in June at the Manchester Opera House before returning to London and opening at the Piccadilly Theatre from July.

Beginning as a hit film in 1987, the American romance hooked the world with its lead protagonists Patrick Swayze and Jennifer Grey who played Johnny Castle and Frances ‘Baby’ Houseman respectively. Dirty Dancing then became the longest running show in the history of the Aldwych Theatre, having sold out for the first six months of its run before it opened! The classic story on stage went on to break records in Germany and the UK for having the highest advance ticket sales in history.

Dirty Dancing on tour was first performed at the Theatre Royal, Sydney, Australia in November 2004. Following this, the production went on a national tour of Australia and New Zealand, visiting Melbourne, Brisbane, Perth and Auckland and the show had a sell-out season of 18 months throughout Australia and New Zealand. The show has gone on to perform across the world in Toronto, Canada; Utrecht, Holland; a North American Tour including Chicago, Boston and LA and the production continues to play to sold-out houses and recently sold its one millionth ticket. Following the reinstatement of the iconic Dirty Dancing to London’s theatreland, a new UK tour of the musical will be launched in March next year.

Image courtesy of Wikimedia Commons.

Dawn Williams – Life On Tour In Cats!

Cats

As the Cats tour grips the country in a wealth of feline frolics and incredible talent, Dance Direct caught up with Dawn Williams, who is fresh out of musical theatre college and is playing kitten Jemima.

Dawn, have you always wanted to be on stage?

I have wanted to be on stage, for as long as I can remember, and have been dancing, singing and acting from such a young age. Performing was the only thing that I knew I wanted to do as a career.

Dawn WilliamsWhere did you go to train and what was it like there?

I went to Harlequin Stage School in Worcesterhire, as well as WODYS amateur dramatics and Emma Winscom Young Singers. For the last 3 years, I have trained at Laine Theatre Arts in Epsom, Surrey, where I graduated in Professional Musical Theatre and Dance. It was three years that I wouldn’t change for the world and I feel that it was the right school for me as it fulfilled all my needs and concentrated on aspects which I needed to improve and learn more about. Of course, it had highs and lows, and it was never easy, but the hard work was definitely worth it and I graduated ready for the industry. Well, as ready as I could have been! I think you are always going to be learning ‘on-the-job’ and from other people throughout your career.

Did you audition a lot before Cats?

I started auditioning in my final term at Laine, through the college agency. I auditioned for cruises, West End shows and tours, even flew to Germany for an audition. I did okay in these auditions, and wasn’t too disappointed as I was still at college. I then got a QDOS pantomime playing Wendy in Peter Pan. I was over the moon, as I felt that this was a good place to start my career. From graduating from Laine I then got a new agent.  I got signed by Gina Rowland from Bronia Buchannan and was fortunate to obtain fringe work at the Union theatre in a production of Call Me Madam directed by Michael Strassen. It was then that I started to audition for Cats and was successful. I was very lucky as I then went from job to job.

What was the Cats audition like?

The Cats audition process started with a dance round first, where we were taught a section of the Jellicle Ball. Then there was a cut which kept back a handful from a room full of girls. We then had to sing our own material and I got called back several times after this and was asked to learn material from Cats.  We worked on the dance choreography each time we had a call-back: after a 3 week process I got a phone call from my agent to say that I have been offered the role of Jemima and first cover Rumpleteazer. As expected I screamed! And ran round my house!

Were the rehearsals hard?

The rehearsal process was hard as for the majority of the time I was still getting my head around the fact that I was there and was going to be a part of such a great show! We only had one month, which (we were warned) had never been done before for Cats. Learning the choreography was amazing as it was the original as choreographed by Gillian Lynne, and learning all the music was amazing as I had never been in an environment where 26 people were all singing great music in harmony. I had to make sure that I went home and went over everything I my head, so I was singing and doing the dance moves in my sleep. Along with learning the solid material, becoming a cat was so interesting as well as difficult. We had to attend a cat workshop in order to focus on all aspects of becoming a convincing cat. We were taught to be aware of what was around us, our senses, our feelings and everything in our bodies and how that all made us feel or react.  I would say that all of this work was harder than setting and learning the show!

What is understudying like?

I’ve really enjoyed understudying. At first I found it hard as I was learning my own track so in rehearsals I took note of where my cover was positioned,  then when I was confident with the part of Jemima I learnt the choreography for Rumpleteaser.

Have you played the part yet?

Recently I have been on as Rumpleteaser, since the end of Manchester until first week in Bradford, where I did the first rehearsal and press night which was exciting but nerve wracking, just because Rumple is an older character and I had to think about the different counts and traffic, and also working in as a duet. But, I had a great time and it was good to do a run of shows rather than just a one-off performance.

What is it like being on tour?. Is it what you expected, or different?

I didn’t know what to expect really being on tour but I am really enjoying it, as it is my first big job and it keeps me fresh being at different venues, as the sound, stage, theatres are all so different. Some venues work better than others and some venues are nicer places to visit, but overall I am really enjoying it!

What is a day in the life of Dawn, and does this change from place to place on tour?

My normal day would be to get up at around 10am, have breakfast, and then go out to see the place in which I am staying and then meet some of the cast for lunch. I tend to eat larger lunch then I am used to, as I get to the theatre for 5pm, so I need something to fill me up until 10.30pm, but I eat about 3pm so that I don’t feel full by the time the show starts. When I get to the theatre it then takes me 45 minutes to do my makeup. Although I have got a lot faster, I don’t like to rush it and some of it I still find really tricky, like the eyes and muscle, so I like to take my time. I then have to warm up at 6pm, physical and vocal until the half hour call, then it’s wig and costume time. The show comes down at 10.15pm roughly, when I change and maybe have one drink after the show but most of the time I go back home and relax before bed.

Do you enjoy it?

I really am enjoying it but it is still overwhelming at times. Working with a great cast and team makes it even more enjoyable. The show is so energetic, as soon as you get into the zone to start the show Act 1 is done, it goes so fast and Act 2 soon follows. I love being Jemima too, as I am a kitten so I can have lots of fun, be playful, curious about different things and I have a great dance track, but then I get to perform the lovely spiritual moments singing at the beginning of Act 2 and later on in the show the famous Memory with Grizabella. With this show no performance is the same as we are always experimenting with different ways of being feline, the way we walk, the way we crawl, the way we get up and down, the positions on set and our relationships with the other cats.

Do you have any pre show rituals?

The cast of Cats always gets together at the beginners’ call and we all hold hands as we are about to become a tribe as this helps us all to get focused and it brings us all together before the show! I always have to have the same leg warmers on too, so the black one always goes on the left leg and the black and white one on the right!

What is your advice to aspiring performers?

Find the right training for you. Believe in yourself. Never give up. Work hard. Dreams really can come true!

Find out where the Cats tour is heading next: http://www.catsthemusical.com/tickets/2013-ukeurope-tour/

Cats The Musical

Cats The MusicalSince Cats the musical opened on the West End stage in 1981 it has become one of the world’s best known and best loved musicals. Originally directed by Trevor Nunn, the show has since been presented in over 20 countries and in around 250 cities, including diverse destinations such as Buenos Aires, Seoul, Helsinki and Singapore, and has been translated into 10 languages for audiences all over the world. The show has translated into Japanese, German, (three versions for Germany, Austria and Switzerland), Hungarian, Norwegian, Finnish, Dutch, Swedish, French, Spanish (two versions for Mexico and Argentina) and Italian, with the Swiss production requiring a bilingual cast who performed in German and English on alternate nights

The original production opened at the New London Theatre in the West End on 11 May 1981: eight years later it celebrated its first important milestone and became the longest running musical in the history of the British theatre after 3,358 performances. Within two and half years of the London opening there were productions in New York, Tokyo, Budapest and Vienna, and the first of tour US touring productions had begun. Cats opened on Broadway in 1982 and ran until 2000, with 1997 seeing the show become the longest running musical on Broadway and 1991 marking Cats as the longest, continuously touring show in American theatre history.

In addition to the incredible dance and staging of the iconic production, the musical numbers of the show have also been hugely popular. “Memory” has been recorded by over 150 artists ranging from Barbra Streisand to Johnny Mathis, with Barry Manilow’s rendition was a top-40 hit in the U.S. The Original London Cast Recording of Cats also won the 1982 Grammy Award for Best Cast Album, in addition to a number of other awards over the years, and the following year the Original Broadway Cast Recording won the same award.

Image courtesy of Wikimedia Commons.

The 2013 Olivier Awards

The Olivier Awards 2013

Esteemed dancer, choreographer and now Vice-President of the Royal Academy of Dance Gillian Lynne is set to receive Special Awards at this year’s Society of London Theatre Olivier Awards in recognition of her immense contribution to theatre and the arts.

Gillian Lynne began her career as a ballet dancer before earning an international reputation for her innovative choreography and stage work throughout the performing arts industry, including choreographing Cats and The Phantom of the OperaCats the musical is set for revival later in 2013, and it looks as though Gillian Lynne’s achievements are not over yet, with many more years of creativity ahead. Beginning as a Royal Ballet dancer under Dame Ninette de Valois, Gillian Lynne has been a constant stream of creation throughout the arts.

As a result the Society of London Theatre’s Olivier Awards has recognised the prolific work of Gillian Lynne, continuing to have a vital and lasting influence on the theatre and dance stages of the performing arts industry. It is therefore only fitting that this ambassador of British Theatre be recognised with the Special Award at this year’s ceremony.

This year’s Olivier Awards, nominations for which were announced on 26 March 2013, take place at the Royal Opera House on Sunday 28 April, hosted by Hugh Bonneville and Sheridan Smith. The ceremony will be live on BBC Radio 2 from 6.30pm with a highlights package broadcast on ITV later in the evening. Some of the nominations are listed below.

Best Actor

  • Rupert Everett – The Judas Kiss
  • James McAvoy – Macbeth
  • Mark Rylance – Twelfth Night
  • Rafe Spall – Constellations
  • Luke Treadaway – The Curious Incident Of The Dog In The Night-Time

Best Actress

  • Helen Mirren – The Audience
  • Hattie Morahan – A Doll’s House
  • Billie Piper – The Effect
  • Kristin Scott Thomas – Old Times

Best Actor in a Supporting Role

  • Paul Chahidi – Twelfth Night
  • Richard McCabe – The Audience
  • Adrian Scarborough – Hedda Gabler
  • Kyle Soller – Long Day’s Journey Into Night

Best Actress in a Supporting Role

  • Janie Dee – NSFW
  • Anastasia Hille – The Effect
  • Cush Jumbo – Julius Caesar (Donmar Warehouse)
  • Helen McCrory – The Last Of The Haussmans
  • Nicola Walker – The Curious Incident Of The Dog In The Night-Time

MasterCard Best New Play

  • Constellations
  • The Audience
  • The Curious Incident Of The Dog In The Night-Time
  • This House

Best Actor in a Musical

  • Michael Ball – Sweeney Todd
  • Alex Bourne – Kiss Me, Kate
  • Tom Chambers – Top Hat
  • Will Young – Cabaret

Best Actress in a Musical

  • Heather Headley – The Bodyguard
  • Imelda Staunton – Sweeney Todd
  • Summer Strallen – Top Hat
  • Hannah Waddingham – Kiss Me, Kate

Best Performance in a Supporting Role in a Musical

  • Adam Garcia – Kiss Me, Kate
  • Debbie Kurup – The Bodyguard
  • Siân Phillips – Cabaret
  • Leigh Zimmerman – A Chorus Line

Best New Musical

  • Loserville
  • Soul Sister
  • The Bodyguard
  • Top Hat

Best Revival

  • Long Day’s Journey Into Night
  • Macbeth
  • Old Times
  • Twelfth Night

Best Musical Revival

  • A Chorus Line
  • Cabaret
  • Kiss Me, Kate
  • Sweeney Todd

Best Entertainment and Family 

  • Cinderella (St James theatre)
  • Goodnight Mister Tom
  • Hansel And Gretel
  • Room On The Broom

Best New Dance Production

  • Aeternum by the Royal Ballet at the Royal Opera House, choreographed by Christopher Wheeldon
  • Cacti by Nederlands Dans Theatre 2 at Sadler’s Wells, choreographed by Alexander Ekman
  • A Streetcar Named Desire by Scottish Ballet at Sadler’s Wells

Outstanding Achievement in Dance

  • Lez Brotherston for the set and costumes for Matthew Bourne’s Sleeping Beauty, New Adventures at Sadler’s Wells
  • ILL-Abilities company in Breakin’ Convention at Sadler’s Wells
  • Marianela Nunez for Aeternum, Diana & Actaeon and Viscera, The Royal Ballet at the Royal Opera House

Best Theatre Choreographer

  • Scott Ambler – Chariots Of Fire
  • Bill Deamer – Top Hat
  • Scott Graham & Steven Hoggett – The Curious Incident Of The Dog In The Night-Time
  • Stephen Mear – Kiss Me, Kate

BBC Radio 2 Audience Award

  • Billy Elliot The Musical
  • Matilda The Musical
  • The Phantom Of The Opera
  • Wicked

Special Award

  • Gillian Lynne
  • Michael Frayn