September 2014 – Dance Direct Blog. News, Reviews & Advice About Dance

Wilton’s Strike!

Wilton's Strike! Wilton’s Strike!, a new dance platform, is offering emerging dancers and choreographers the opportunity to develop a piece of work with Wilton’s Music Hall and to perform on its historic stage. Wilton’s is the world’s oldest surviving Grand Music Hall and London’s best kept secret, so this opportunity to work within the building is an incredible opportunity.

The atmospheric building full of history and stories is led by Frances Mayhew and produces an exciting programme of imaginative, diverse and distinct entertainment including theatre, music, comedy, cinema and cabaret. For Wilton’s Strike!, the performances will also be live-streamed on the Wilton’s website and will remain online after the event too.

Running from 25–27 September the programmes presented include:

Ieva Kuniskis ‘They Live Next Door’ (working title)

Ieva Kuniskis creates theatrical dance pieces rooted in Lithuanian theatre, folklore and everyday experiences. Her piece explores the story of an older man embodying and pushing the boundaries of social stereotypes.

Jack Webb ‘Inside Opulence’ (working title)

Exploring the connections between animal and human nature, Jack Webb’s contemporary piece investigates the desire to be seen and fighting for survival in the setting of a modern day Vaudeville show.

Rebecca Evans (Pell Ensemble) and Lorenza Lo (Flock Collective) ‘Hiding in Plain Sight’ (working title)

This contemporary piece looks at how modern society is undergoing a metamorphosis in communication through the use of texting, how this new way of interacting is modifying our verbal and physical language and affecting our human stories.

Dane Hurst ‘Finding Freedom’ (working title)

Dane Hurst has an attraction to dramatic works driven by a strong narrative which he translates into beautiful contemporary choreography. This piece is inspired by the narrative of American death row inmate, Jarvis Jay Masters, and his metamorphosis from darkness and isolation to enlightened peace.

The Royal Ballet Receives RAD’s Highest Award

The Royal Ballet received the Royal Academy of Dance’s highest award during a fundraising gala recently: the QEII Award – presented annually in recognition of outstanding services to the art of ballet by the RAD – was first conferred sixty years ago upon Royal Ballet founder Dame Ninette de Valois, in 1954.

To celebrate this benchmark in ballet history, the award was presented to The Royal Ballet’s Director, Kevin O’Hare, during a glamorous dinner at Claridge’s in Mayfair, London. Also in attendance were past Genée International Ballet Competition medallists, as well as 19 current Principals of The Royal Ballet, Wayne Sleep OBE (RAD Vice President), Dame Monica Mason DBE (former Director of The Royal Ballet and past QEII recipient) and other celebrities and luminaries of the dance world.

The RAD’s initial projection is that the evening raised £65,000 towards the creation of a new bursary scheme to enable more young people to compete in its flagship event, the Genée International Ballet Competition. The Genée has proved to be a launch pad for a professional career in dance. Since the year 2000, 14 Genée medallists have gone on to dance with The Royal Ballet alone – amongst them current Principal Dancers Lauren Cuthbertson and Steven McRae. The auction proceeds will create means bursaries of up to £3,000 for future Genée International Ballet Competition candidates who cannot afford the costs involved in taking part, as well to develop the competition itself further.

The Daily Telegraph’s joint dance critic Mark Monahan, who delivered the QEII Coronation Award citation, described the former winners of the QEII Award as ‘people, as we all know, without whom British ballet would be unrecognisable today’.

World Ballet Day

On 1 October, the first World Ballet Day will see a fantastic collaboration between five of the world’s leading ballet companies: the Australian Ballet, the Bolshoi Ballet, The Royal Ballet, National Ballet of Canada and San Francisco Ballet. On the first day of October, each company will stream behind-the-scenes action live from their rehearsal studios. Starting at the beginning of the dancers’ day, each company will take the lead with a four-hour period, streaming from their headquarters.

The day will begin with the Australian Ballet in Melbourne, before the live link passes across time zones from Melbourne to Moscow, London, Toronto and finally to San Francisco. The backstage access will highlight the differences in style between the five companies – as leaders in their field – as they follow a similar routine but approach choreography and performance in individual ways. Starting with morning class, the day will be a celebration of dance as they move onto rehearsals.

World Ballet Day is a development of Royal Ballet Live, a nine-hour live stream via YouTube and the Guardian website. Watched by 200,000 people, there have been a total of 2.5 million views on YouTube to date. World Ballet Day will be the first time that the other four companies have taken the cameras backstage in this way, and the first time that YouTube has streamed so much content. The day’s streaming will be repeated on YouTube in full, so viewers around the world can catch up on any parts of the day they missed; edited highlights will then be made available for further viewing, increasing the reach of the day further.

Full details of the day are yet to be confirmed, however The Royal Ballet’s section will include Marianela Nuñez and Federico Bonelli rehearsing for Kenneth MacMillan’s Manon, which opens at the Royal Opera House on 26 September.

Memorising Combinations

Dance Steps Surprisingly many dance students find learning new combinations tricky and challenging. Of course the more you try to learn new exercises quickly the easier it becomes, but there are a few tricks to make it easier.

During class, it is important to learn the movement at a fast pace, and then perform these exercises simultaneously. Learn the pathway of the movement first so you have a good idea of where you should be going and the direction you should be facing. Maintain spatial awareness in respect to the other dancers and group the steps together: most combinations are grouped into musical phrases, directions or predictable sequences as well as frequently being choreographed along a diagonal line. It then becomes easier to recognise patterns.

Another way to make learning sequences easier is to identify the “landmark” movements and building up the sequence that way with the movements preceding and succeeding the transition steps. Learn which foot you begin each section with and which foot takes you into the landmark movements, as well as the foot which finishes the sequence. It is easier to think of the feet as downstage and upstage rather than right or left, as this will make the movement simpler when you come to do it on the second side! Listen to the music and where the landmarks occur, taking counts for these if necessary. Music should drive the movement, rather than aiming to match the steps to the music after learning them.

If all else fails, mark the movement and ask the teacher for further clarification. Mark the combination as you learn it, moving in the right direction so the movement is imprinted onto the memory faster. Make sure you don’t get in the way of other dancers and make the movements smaller. Overall it is important to finish correctly, with the correct foot and facing the right way.

Sylvie Guillem To Retire

Sylvie Guillem & Russell Maliphant in Push The iconic and ethereal dancer Sylvie Guillem has announced that she will retire at the end of 2015. Having begun as a classical ballet dancer at the Paris Opera Ballet and then becoming a principal with the Royal Ballet, the French ballerina turned contemporary dancer will be sorely missed by her audiences. Guillem joined the Paris Opera Ballet in 1981 where she was singled out by director Rudolf Nureyev: she was promoted to the top rank faster than any other dancer with the company.

Guillem chose to make the announcement through the Japan Performing Arts Foundation; her farewell performance will also be taking place in Japan, which will make it difficult for the rest of her international following to witness the scheduled farewell. Recently Guillem has performed solely contemporary works, creating works with esteemed choreographers such as Russell Maliphant, Akram Khan and many others.

Guillem is now 49 years old, however you would not know considering her fantastic technique and lithe body. Following a rather eventful career Guillem is one of the world’s most famous dancers. This is in part due to her fantastic legs and feet, but ultimately due to her impeccable performances and the artistry, expression and quality that comes as a result of her acclaimed performances. She is also an associate artist of Sadler’s Wells.

November this year will see Guillem dance in a revival of Sacred Monsters, a duet with Akram Khan at Sadler’s Wells, giving London audiences the chance to see Guillem in action once again. Despite this, it is fitting that Guillem’s performance will be in Japan as she feels a particular tie to the country: her 2011 show 6,000 miles away was named for the country to support the earthquakes and tsunami victims in the country.

Image courtesy of Wikimedia Commons.

Strictly Come Dancing 2014

Strictly Come Dancing is back for 2014! Judges Len Goodman, Darcey Bussell, Craig Revel Horwood and Bruno Tonioli will all be returning to the popular BBC1 show, ready to judge 15 celebrities on their ability to jump, jive and boogie.

The final line-up of celebrities for 2014 has recently been finalised and announced, and they are Frankie Bridge (of S Club Juniors and The Saturdays fame), Judy Murray (tennis coach), Alison Hammond, Thom Evans, Simon Webbe (of the boy band Blue), Mark Wright (former The Only Way is Essex star), Sunetra Sarker, Jake Wood (of Eastenders fame), Steve Backshall, Scott Mills (from BBC Radio 1), Pixie Lott (solo pop star), Caroline Flack (TV presenter), Jennifer Gibney, Gregg Wallace and Tim Wonnacott.

There have been many Strictly news stories ahead of the live shows this year, mostly because of the BBC’s decision to release the names of the celebrities one by one (with the exception of the last three names) in the run-up to the 2014 contest. There has also been some controversial discussion about how well-known the celebrities are compared with previous years when contestants included those such as newsreader Natasha Kaplinsky, model Kelly Brook and household names Russell Grant, Susanna Reid and Vanessa Feltz.

In presenting the show, long-time host and veteran Bruce Forsythe has handed the Strictly baton to Tess Daly and Claudia Winkleman, who will welcome this year’s 15 celebrities to the Strictly studio for the very first time on Sunday 7 September. New for this year, there will also be a Strictly Come Dancing Red Carpet special, featuring the first interviews with the entire Strictly line-up debuting on the Red Button and BBC iPlayer at 7pm on Wednesday 3 September in order to give viewers at home a little more insight into the Strictly world.